Josephus Cato: June 26, 2025
Yeah, it seems like rock has sort of gone the wayside... I supposed I should have pretended to like rap to help my social standing but it just isn’t my thing. I had my rap phase later in life but I’m very selective in who I like...
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For a racially conscious White man to pretend to like nigger noise to help his social standing sounds crazy to me. Jews have controlled popular music since the 60's at least with their Billboard rating system, control of the industry and what gets radio play.
I was subjected to Motown in the '60s and bought into it "to help my social standing" because that was predominently what I and my peers were fed. I can see that now, as an uncompromising race-thinker, but not then. Who needs it? Who needs niggers for anything -- domestic chores, singing, dancing, shooting hoops, race-mixing ads/commercials?
Other than some classical music I've never purchased an album, tape, or even a 45 record in my life, but listened to music on the radio like everyone else. I've never heard of almost all of the bands mentioned in Mark's essay or in these comments below it. Though I was close to "White Power" music when the National Alliance owned Resistance Records, that music never had any appeal to me. I may have "pretended to like it to <ahem!> help my social standing." I certainly liked the energy of those bands but could have done without the heavy drinking, fighting among themselves, mosh pits, but did not enjoy listening to their songs at all. Where is that genre now? Gone the way of the alt-right and Gab?
I can say I've enjoyed some music by Pink Floyd, Sting, Tom Petty, the Beach Boys, etc, -- even Christopher Cross and Chris DeBurgh. If that makes me some sort of out-of-touch prude, so be it. One CD I've enjoyed is "Call of the Blood by Dresden (band); songs by Joseph Pryce" at
https://cosmotheistchurch.org/product/ $16 Some others at C-C may appreciate Joe Pryce's musical genius. He wrote each song, did all of the vocals, played every instrument and mixed the tracks.
Call of the Blood is nothing like typical skinhead or “White power” music. It is powerful progressive rock, somewhat reminiscent of the British band Yes. It is melodic and lyrical, and is written and performed with absolute professionalism. Its 17 tracks are written from a radical White nationalist and National Socialist viewpoint. You have never heard anything quite like it in your life.
Here is the new CD’s track list:
• Horst Wessel Song
• George Lincoln Rockwell
• Avatar
• Ariadne in America
• To Robert Matthews in Valhalla
• Zog/Blood and Soil
• Desolation Row (to Robert Miles)
• Dark Queen
• Call of the Blood
• The Stormer (to Julius Streicher)
• Landsberg Am Lech
• For Wilmot Robertson (Instauration)
• Tryst (Danger in Central Park)
• The Party Song
• Threnody (to the Leader)
• White Amerika
• La Chasse (the Hunt)This excellent music makes a great recruiting tool; music reaches a part of the soul that reason cannot touch.