Douglas Mercer
September 21 2021
That's as American as mom, apple pie and--toilets.
What?
That's right, toilets--specifically toilet art--is now in the pantheon of American ideals.
We were a shining city on a hill, now we're a dirty toilet in a tony museum.
It was bad enough when America was making the world safe for democracy but now it make the world safe for toilet art.
Marcel Duchamp is one of those non artists artists who has a colossal reputation based on Jewish propaganda.
Duchamp buffaloed the chumps.
"Duchamp purchased a urinal from a sanitary ware supplier and submitted it – or arranged for it to be submitted – as an artwork by ‘R. Mutt’"
He called this masterpiece "Fountain."
And now a a replica of this is at the Tate Modern! A knock off toilet elicits oohs and ahhs from malodorous mavens.
Maven being a Yiddish word meaning either pointless egghead in nerd glasses or green haired Barnard lesbian who patrol art galleries and elevate crap to god like status.
The "Fountain" was an example of readymade art and hundreds of thousands of college students have been bamboozled by dudes with ponytails into thinking this is high art. Their professors are high you can be sure of that.
"On 17 November 1999, a version of Fountain (owned by Arturo Schwarz) was sold at Sothebys in New York, for $1,762,500 to Dimitris Daskalopoulous who declared that Fountain represented the origin of contemporary art."
Arturo Schwarz's father was a Jew from Germany.
As he laughed up his sleeves at his high toned gulls Duchamp wrote:
"This Neo-Dada, which they call New Realism, Pop Art, Assemblage, etc., is an easy way out, and lives on what Dada did. When I discovered the ready-mades I sought to discourage aesthetics. In Neo-Dada they have taken my readymades and found aesthetic beauty in them, I threw the bottle rack and the urinal into their faces as a challenge and now they admire them for their aesthetic beauty."
It's true that you have to have a lot of education to be that stupid.
Suffice it to say Marcel Duchamp was an idiot and a fraud and huckster who took the Jewish art world by storm because Jews hate White people.
And want to throw excrement in our faces, and watch us pay for it.
Once a guy canned some shit and called it art. And people paid plenty for it.
"In 1961, one Italian artist named Piero Manzoni decided to fill tin cans with his excrement and call them art."
"Alberto Lucia exchanged 30 grams of 1.8-karat gold for a can of Manzoni’s excrement."
The joke of course is that if you opened the can to see if the artist's shit was really in it it would lose its value.
Value.
Jews make money lose its value and make values go away. The two go hand in hand.
"Exactly 100 years to the day of the opening of the First Exhibition of the Society of Independent Artists, Francis M. Naumann Fine Art opened Marcel Duchamp Fountain: An Homage on April 10, 2017. The show included Urinal Cake by Sophie Mattise, Russian constructivist urinals by Alexander Kosolopov, and and a 2015 work by Ai Wei Wei."
We assume "I wee wee" is the joke. But who knows?
These New York sophisticates really live it up as our nation goes to the dogs.
And you wonder why Hitler wanted to clear out the Jews?
***
Back in 2016 some wise guy installed a gold toilet in the Guggenheim and called the fully functional toilet "America." That's right the rich and filthy denizens of New York's art world got to head to the head and piss and shit on America.
What schadenfruede!
What will they think of next?
The rubes certainly would never understand it.
"An 18-karat gold toilet titled America made its debut in New York City’s Upper East Side Guggenheim Museum last week. The fully functional toilet, designed as a Kohler replica, will be installed in a private, unisex bathroom intended to be used or admired by museum visitors."
"The Italian artist behind America, Maurizio Cattelan, told the New York Times last month that people can enter the tiled room, complete with a sink and mirror, just to bask in the toilet's glow. But it becomes an artwork only with someone sitting on it or standing over it, answering nature’s call."
When nature really calls it won't end well for these slime.
"The Guggenheim announced the toilet’s intended display last month, crediting the museum’s former deputy director Nancy Spector with organizing the exhibit."
Crediting?
"Cattelan is just the latest fashionable artist to be attracted by human waste. America is preceded by Marcel Duchamp’s 1917 Fountain, a urinal that has since become one of the 20th century’s most famous works of art. The Guggenheim says that America is an art historical gesture which references Duchamp’s Fountain and that Cattelan’s installation may be understood as countering the artistic transgression of Fountain by restoring the utility of their shared subject.”
"So, yes, America is an epic troll. Under the specter of the presidential campaign of Donald Trump, that walking gold toilet, it also seems like a dark omen."
Nancy Spector is a degenerate Jew, a dark omen and dark specter herself.
Meyer Guggenheim was a Swiss citizen of Ashkenazi Jewish ancestry who arrived in the United States in 1847.
Enough said.
***
Perhaps the lasting image of America's pointless occupation of Afghanistan will be of a blond haired bitch with a pretentious accent trying to convince backward stone age hijabed Muslim women that toilet art is cutting edge, avant-garde, and is the wave of their future. Our culture is shit--they should join in.
The la-di-da lady is seen in a clip as a picture of Fountain is displayed in all of its urinal glory. The dark skinned ladies are arrayed around a table as the well educated teacher with the pretentious accent tells them that Duchamp was "very important in Western Art," and that a toilet installed in a famous museum was a "huge revolution."
It was a huge revolution alright, it was the Jewish Revolution. Take all that is noble, and lofty, and bring it down to the Jew level, which consists of crass materialism and carping and critical excess, knock everything holy off its pedestal and profane it with Jew dung. The debase everything, drag it into the crapper. It was Wagner who said that Jews not only can't create art but take the art of other people and turn it into dross.
Pretty soon everything is shit. And they ask you to exalt it.
The Afghan ladies of course have never lapped yoni at Vassar so they want no part of this dog fest. You can see them shake their heads in disgust.
Clearly the upper crust lady who is used to ethereally moving through the upper echelons of the best society where things like toilet art are cherished and worshipped and appreciated is not getting through.
Clown World strikes out.
Those semitic predators have had better days. Marcel Duchamp's outsized reputation did not survive the scrutiny of goat herder's daughters. They know in their guts when they're being sold a bill of goods.
"American occupiers attempt to enlighten a group of Afghan women by showing them Marcel Duchamp’s famous urinal-as-museum-piece, and telling them that it’s important art. "
Get the fuck out Yankees with your Jew filth.
"That is likely only a fraction of the total cost wasted on the kind of nonsensical, crap art-and-culture lessons seen in the video, all of it only explainable as an act of spoiled naivety on America’s part, on a scale and level never before imagined."
In the end America went home with its tail between its legs, back home where toilet art still has a respectable niche.
***
Jud Suss: Rise And Fall is a movie, a fictionalized account of the making of the epochal film. In the opening scene two solid National Socialists Joseph Goebbels and Friz Hippler go to a rehearsal for a play in which Ferdinand Marian is playing. Goebbels' plans is to tell Marian that he is going to play Suss in the film, whether he likes it or not. As the two take their seats in the balcony of the empty theater the camera pans to the stage. On it is Marian as Iago and a Jew as Othello. Behind them are five white urinals. It is modern art. The duo in the balcony look at each other and concur in a verdict:
Disgusting.
No toilet art for them.
That would be the point of Jud Suss. To wipe the influence of the Jewish spirt forever from Europe.
***
Hitler was obsessed with culture. He always saw himself as an artist, not a politician, or that a politician must be an artist. It's what that cathedral of light was all about. Late in the war his talks would always gravitate to culture and the arts and what his plans for them were. Unlike in Britain he kept the opera houses and the theaters open until nearly the very end, even though nearly everyone was telling him it was draining resources. People called National Socialist Germany the New Sparta, but he always saw it as Athens. He lamented continually that he had to fight this stupid war because of that drunk Churchill. And he longed for the day when it was over when he could funnel vast amounts of money into the arts, to build his ideal city Germania, and dedicate himself fully to what he was sure was his providential calling, the creation of German culture for the world. Then he would be the impresario of a new cultural order, the great stage manager of a new renaissance of the arts.
German Art.
Goebbels said that no royal patron every did more for artists. He made Breker a millionaire, set Speer up in splendor, and took financial care of obscure artists who he had seen and liked.
After the battle of Stalingrad he had the Arts Minister of Vienna brought to his redoubt and he took him to the dog house for an exhibition he had shows in the city Hitler hated. The exhibit had contained an art work of a green dog. That was oppositional art Hitler told him---not the art of our future.
A German Future.
Hitler scorned guns as a waste and he scorned butter as crass materialism---Jew doctrine.
He said the Germans must live by the Spirit alone.
The German Spirit.
He said that his creation in 1937 of the German House Of Art would be his lasting contribution to his country.
"The Jew has never has his own art, even his temples had to be built by foreigners, first by the Assyrians and then by the Romans. The Jew left no art behind, nothing in the way of painting, no buildings, nothing."
He saw that the Jews' object was to destroy national cultures, as seen in Modernist Art. For Jews art was a way to make money and destroy peoples.
"All great art is national art. Beethoven, Bach and Mozart created music deeply rooted in the German mind."
He railed against international art--cubism and futurism and said they were synonymous with kitsch. That kind of art was a "moral plague", Cubism and Dada were "Bolshevist art" and were designed to drive people into the arms of "spiritual madness".
He called the perpetrators of such Jewish art lunatics and criminals.
"For if the age of Pericles is embodied in the Parthenon then the Bolshevist age is embodied in the cubist monstrosity."
One of the main reasons for Hitler's enduring appeal is that he saw the the world exactly as it was emerging, saw a world in the exact terms that we see it today. The enemies that we have are the same enemies he had. And his solution is the one we need.
But what he warned against is exactly what the rulers of America are still selling, and trying to export to the world. The Jew disease runs deep in our national psyche or at last in the ideology of our elites.
As a result mom and apple pie aren't what they used to be.
We don't have a future but at least we can bask in the toilet's glow.
It will be that beacon to the world.
