Douglas Mercer
July 5 2022
They have some new euphemisms for White Genocide--a new phrase haunts the land---"global majority." We've heard "majority minority"-that's when Whites sink below the 50 percent level and the "minorities" form the majority. Now "global majority" is coming into vogue as a near synonym for majority minority as it means the same thing--but with a twist. You'd think that when referencing an American city the word "global" would not seem apt---but apt it is for our enemies. That's how they see it. The "globe" in the form of dark-skinned invaders has invested and taken over the American city. When this happens they say that the city is in "flux"---when you hear the city is in flux get the hell out. Hopefully you had got out a long time before. Because soon you'll be facing a global majority.
***
Legend has it that on the plane flight to Dallas John Kennedy turned to his wife and said we are going to “nut country”–a reference to the “right wing lunatics” who inhabited the city. After he got his head blown off his wife appeared in her pink dress drenched in blood and said “they” killed him, “they” being the “right wing lunatics.” The Ruling Class courtesan was severely disappointed when word was a “silly little communist” had killed him, she was more than willing to have her husband become a martyr at the hands of White Hate but for him to be a martyr in the cause of anti-communism was too much for her to bear.
The Dallas-Fort Worth area now for sure is "nut" country, it's in flux and is (believe it or not) majority-minority and global majority. When this demographic shift occurs everything changes. Soon buildings designed for stalwart White men will be home to sullen eyed green haired weirdos with bones through their noses. And a negro's name will adorn the front.
***
Back in 1921 in Fort Worth some White union workers at a meatpacking plant went on strike. Swift & Company hired strikebreakers and one of them was a black man name Fred Rouse. Given the prevailing temper of the times this of course was an outrage and a provocation--it was bad enough that the greedy bastards would not pay a decent wage but to hire a black man to replace the White man---it shows where their hearts lay.
"Fred Rouse walked to the city’s Stockyards for work, crossing picket lines and racial lines. Walking home that night, he was attacked by strike agitators and left for dead. Five days later, while recuperating in the hospital, a mob broke into his room. That night Rouse became the only reported Black victim of lynching in Fort Worth, according to the Equal Justice Initiative’s Lynching in America project."
That's how they report it, as an unprovoked and unwarranted attack. Of course they left something out. They want to portray Whites as the absolute aggressors. Nothing of course could be further from the truth.
"In 1921, the whites-only union workers at the Swift & Co. meatpacking plant in the Niles City Stockyards (now part of Fort Worth) went on strike. The owners attempted to replace them with black strikebreakers. During union protests, there was a scuffle between African-American worker Fred Rouse and some of the strikers. This resulted in Rouse firing his gun, wounding two white strikers who happened to be brothers."
Much more complicated and much more clear. First off black strikebreakers (plural) not just one black strikebreaker. That puts them (and the company) in the wrong. Then Fred Rouse fired a gun which puts him even more in the wrong. Hardly the kind of thing you would want to celebrate is it? But of course it is, for when Fred Rouse got what was coming to him he became a victim because (wait for it) he was black. And he was lynched. And in post Floyd America that's enough to put them on him on the black equivalent of Mr. Rushmore, if the black weren't too unskilled and lazy to accomplish such a project.
"Enraged, the whites seized, beat, and stabbed him. He was presumed to be dead. However, when the police retrieved his body from the mob, they realized that he was still alive. They took him to the County Hospital where he spent several days recovering in the segregated ward, which was located in the basement. When members of the striking union heard that Rouse was still alive, a mob of about 30 men snuck into the hospital and were able to identify him by his severe skull injury. Despite the pleas of the night nurse to spare him, the mob dragged him out of the hospital in his nightgown. He was strung up on a tree at the corner of NE 12th Street and Samuels Avenue in Fort Worth, Texas. The white mob took turns riddling his mutilated body with gunshots."
They ought to put up statues honoring those guys.
Lesson learned, right? Don't break strikes and don't fire your gun at White people. But of course the lesson is not learned, it never is. Now Fred Rouse is the martyr of martyrs, and is lionized. Why, don't look now but a building that once housed the Klan will be named for him. And that's where those green haired artist types who comprise nut country will come in.
***
This is the kind of thing that happens when a region becomes global majority---when in flux. When one people replaces another everything is replaced.
"The city of Fort Worth, a 40-minute drive from Dallas, is in flux. According to the U.S. Census Bureau, it was the fastest growing large city in America between 2010 and 2020. That’s an average increase of some 20,000 new residents annually. It can be called a global majority city. In 2020, around 35 percent of the population identified as Hispanic, and 19 percent identified as Black. Those numbers are expected to rise in the next decade.
When the demographics go everything else follows. Between 2010 and 2020 the number of White people in America declined, but global majority Fort Worth burgeons.
"At the time, Texas was home to one of the largest chapters of the Ku Klux Klan in the United States. The white supremacist group’s Fort Worth headquarters—or Klavern—was a tall, cavernous brick auditorium at 1012 North Main Street, completed in 1924. The ground floor alone is 22,000 square feet, with an auditorium designed to fit 2,000 people."
Clearly, they didn't stint. This was when the Klan was in its last great revival in America, the era when conscious White pride and conscious White defense was at its peak. That it did not go on from strength to strength and on to better things, that it was the last great surge, is the great tragedy of American history.
"The auditorium, located at 1012 N. Main Street, originally opened in 1924, when Fort Worth had one of the largest KKK memberships in the United States. It served as the group’s headquarters in Texas and was designed to intimidate Black, Hispanic, and immigrant residents returning home from the city center.
Fore enemy historiography this the prelude to what they came to call "nut" country, first it was the Klan which was the prelude to the Birchers and the Citizen's Councils and the conspiracy theorists. An unreconstructed White world without even the thought of apology, asserting its rights and asserting its dominance. How far away this seems by now. In the movie No Country For Old Men, set in Texas in 1980, a character says he had seen a boy with green hair and a bone thorough his nose, something he never thought he'd ever see in "our Texas towns."
They'll be plenty of them at the building that used to house the Klavern.
We know where nut country is today.
"The KKK sold the building in 1927, and over the years, as it passed through several owners, its insides decayed, though its imposing exterior has endured, casting a long shadow over the town. But in the coming years, the building is going to start looking very different when it becomes host to a new arts center in Rouse’s name that will attempt to account for the site’s ugly history while also acting as a space for renewal."
You know the kind of place they mean if you've ever been in the "fashionable" area of any town that is trying to "renew" itself. There will be coffee shops serving swill for five dollars (if you're lucky) they'll be empty room housing horrible art, music on the street raising an unholy and unharmonious din, and misfits milling about discussing whether they are L, G, B, T or all of them combined. They'll call it creative community building and "placemaking" but really it's just an excuse to give the artsy fags something to do on a given Saturday night in lieu of dying their hair a different color.
"By September, seven other Fort Worth–based cultural organizations and entities representing groups once targeted by the Klan had joined the campaign. Synergy was rising and the scope of the project was expanding. Grants trickled in from the Mellon Foundation, the Ford Foundation, and the National Endowment of the Arts. In December 2021, Transform 1012 acquired the building with a partial donation from the former owners and the Rainwater Charitable Foundation. Fred Rouse III also joined the board in 2022, as a representative of the family. Once renovations are complete, the auditorium will reopen as The Fred Rouse Center for Arts and Community Healing."
Clearly, the Holocaust is complete. When the Mellon and Ford Foundation pile on be sure to cock your Browning. Whenever they talk about healing it's time to get out of Dodge. The Global Majority doesn't have your good in mind.
"The Fred Rouse Center’s facilities will include a state-of-the-art performance space, exhibit spaces dedicated to social justice and civil rights artwork, and affordable live and work studios for artists-in-residence. Life skills like leadership workshops and services for LGBTQ+ youth will also be offered. They’ve even imagined an outdoor urban agriculture market to address food deserts in historically Black and Brown Fort Worth neighborhoods."
They've certainly thought of everything, this will be a hipster scum cum dufus paradise, heavy on the gay, you wonder after a time if the fact they have "civil rights artwork" will cover for the fact that no black people go there, except the shy skinny negro in leotards trying to get the attention of the day dance troupe. Either way it will be a sniveling ideology that this place houses, with a cutting edge hate Whitey vibe. But you watch soon enough this place despite its sops to the "tragic" history of Fred Rouse, and the pictures of Malcom X and Che Guevra on the walls, will over time be accused of gentrifying the area, those "artists" in residence will be for the most part artists in name only, but rather upward moving latter day yuppies who want to take advantage of the amenities at the love in.
We're the global majority--and the rent is too damn high!
"The center also addresses a more existential concern of what can be done with contested monuments. The year after Transform 1012 was founded, America experienced the largest, sustained civil rights actions since the 1960s."
Little did we know that burning cities and murdering people, and setting up squatter's camps as autonomous zones was "civil rights action." But then that' what it's been from the beginning. It's no coincidence that just after they got equality the blacks started burning cities down. Anyone who expected a quiet thank you was naive indeed.
“I don’t think Fort Worth is an anomaly, said McKinney, who also leads the education-centered nonprofit Tarrant County Coalition for Peace and Justice. I think that our country and our world has not reckoned with histories of racism and slavery, which drove colonialism. We are feeling the vestiges of that history locally, regionally, certainly nationally and internationally.”
To do this they will celebrate a black strikebreaker who fired his gun in to a crowd. A White crowd. And the fact is that Fort Worth was once a White paradise, they feel the vestiges of it because the Whites who still live there can't believe that their once beloved home has been transformed by mass immigration in to half ghetto and half barrio. From time to time they let their aversion to it show and, suffice it to say, the Global Majority thinks it's retrograde.
"Inside the auditorium is a custom-built stage that was once host to racist Klan pageantry, such as minstrel games and rallies. Few would judge Transform 1012 for tearing that stage down amid renovations, but the team hopes it will serve aspiring LGBQT and BIPOC dancers and performance artists in Fort Worth, remaking the stage as a renewable source of cleansing artistic energy."
That is it used to be White men mocking black men, now it will be black making a mockery of the very building they inhabit. To think they gay and colored dancers will cleanse the place is farfetched indeed, when their unholy rites are complete the place will need to be fumigated from the moral stench.
“We believed, and still believe, it is inappropriate to demolish the building because we felt that a history pertaining to racism, racial terror violence, and white supremacy would be lost, McKinney said. In so doing, the reoccurrence would be that much more easily reproducible."
By naming it after Rouse they will stigmatize the building forever; it is another space that will have been transferred from us to them. But they are wrong about one thing, the further they walk down this roads, the more buildings they retrofit for anti-racist purposes, the more likely White racial pride will be reproducible.
“I envision a crossroads where all of Fort Worth can gather, where every cultural group feels a sense of belonging, of being seen, represented, and listened to; where we celebrate the richness of our individual cultures freely and openly; and where repairing past harm and damage leads to greater respect and appreciation, creativity, and love—of self and one another."
This is the anti-White tripe at the end of the world. The races all amalgamated and watered down into nothing; of worthless cultures unworthy of emulation vaunted as important; this is the specious reasoning of a global majority, of a majority minority, they take a historical incident which showed the White people had justifiably defended themselves, turn it around and turn it into propaganda; bank of the fact that enough White people will cower from the act; make a big show of it and have all the regime institutions shower money on them; and take a building that was once ours and make it theirs, and slap that criminal black man's name on it. They are silly little communists to be sure; but when White Hate has a comeback the pink hats will never be the same.
