Pig Jew

[Douglas Mercer]

Douglas Mercer
June 19 2023

Those old guys in medieval Europe knew a thing or two—most importantly when it came to Jews. They had the inestimable advantage of not having been saturated and drenched in mind numbing humanitarianism and liberalism and a universal ethic of brotherly love. They also saw the Jew up close and were in no doubt about their sulfurous and demonic works. There was no pro Jewish media and no insane universities teaching that racism was the evil to out top all evil, and that the Jews were the avatars of victimhood and the paragons of morality. From the pulpit they were sure to hear of Jew perfidy, and not the anti-racist siren call of tolerance and inclusion. Most especially they all had two good eyes and would never be dissuaded from using them. And so they put up icon upon icon which today would get you hauled in to criminal court or worse: the icon of the Pig Jew.

“A medieval anti-Semitic sculpture on the capital of a column in St. Peter and Paul cathedral in Brandenburg an der Havel in Germany will not be removed, church officials stated on Monday (May 15 2023). The sculpture of the Judensau (Jew sow) which is carved into a column about two meters above ground will instead be permanently covered up, the Evangelical Church Berlin-Brandenburg-Silesian Upper Lusatia announced on its website.”

The sculptures in question are the famous Judensau (Jew Pig). These were popular folklorish images which captured the very heart and essence of the swinishness of Jews, showing them suckling the pig or licking its anus. These were images that came from the finely hewn heart of the German people. Clearly this was a freer time when the truth could be carved in stone, images that would last hundreds of years and, hopefully, more. Safe to say these truth testaments have become quite controversial of late—anti-Semitism is on the rise don’t you know. Back in 2020 in Wittenberg where the glorious Jew Hater Martin Luther got his start they decided not to take the Pig Jew down but they did put up signs and messages meant to say High Voltage here. They installed a memorial on the ground next to the church's wall, which refers to (hold the phone) “the six million Jews murdered during the Third Reich.” And that was not enough so they put up an information board, erected more recently which, they say, aims to put the anti-Semitic relief in its historical context. Of course the real historical context is that the old White men in medieval Europe knew a thing or two about the Jews and would never be cowed into covering up their Pig Jew. Suffice it to say that never made it on the information board. And now the Pig Jew in Brandenburg an de Havel will be “permanently” covered up, a kind of ideological fig leaf so the children and the faint of heart don’t get unduly frightened.

“The court found that while the sculpture would be offensive if viewed in isolation, in the context in which it has been placed by the church it has lost its insulting character, according to spokesman Henning Haberland. The church's pastor, Johannes Block said that having the sculpture on the facade of the church filled him with shame and pain. We are trying to deal with this difficult inheritance responsibly. The parish wanted to leave the carving in place as a reminder of the anti-Semitism of the Middle Ages.”

But of course it remains insulting—they didn’t mince words back when or images either. A Jew suckles what for him is the ultimate in uncleanliness, what could be more shocking and mocking and insulting? What they were saying is that the Jews were swine and swinish---a message which has more than withstood the only test that matters, the test of time. Indeed it’s as true as the day the figure was cast. And this Block fellow is a real blockhead, what a fatuous booby and a facile baby. He’s one of those who will go down on his knees begging forgiveness from the Jews, and atone endlessly for the fact that he is even associated with men who could not only think such things as Jew hate but make a memorial of it designed to last the ages. We are filled with loathing to even be associated with such men as Johannes Block.

“The removal of the sculpture and its exhibition accompanied by historical explanation elsewhere were discussed, but deemed impossible for structural reasons and because of the sculpture's problematic terracotta material, said Bishop Christian Staeblein, who is chairman of the church's supervisory board.”

The old put it in a zoo for the unlearned to gawk at route—it’s one of their favorites. They have several options when it comes to confronting the sanity and sound common sense of our ancestors. They can simply let the rabblement of negros and antifa Jews topple it and toss it in a lake; they can let it be splashed with red blood and then the city will remove it due to them saying it has become a public health hazard because people are always spraying it with red paint and gibbering as they do it; once removed they can put it in cold storage, or destroy it, or melt it down and remake it in the image of some Jew hero; they can leave it up and get academic scum to write “suitable” words around it so as to guide the viewer into the “proper” response”; or they can put it in a glass case like a frozen image and put it in a museum, place some of those suitable words around it, and let the exhibit goers walk by and muse on the sorry collapse of a once great civilization.

“It was then decided to enact a form of visual elimination. This way the sculpture will still be available for historical engagement with this medieval form of Jew-hatred, according to Staeblein. Staeblein clarified that there was neither any doubt about the antisemitic statement that emanates from this relief, nor about the guilt of the churches for actively promoting hatred of Jews and antisemitism. He added that he saw it as his task now to deal with this heavy, shameful legacy in a conscious and appropriate manner.”

What a simp this guy is, eh? The guilt of the churches? No, more like the guilt of the Jews. From the first time they set foot on European soil the Jews were guilty as hell, and preyed on the people of Europe with their swinish usurious habits, their alliance with traitorous White leaders to exact financial domination on the innocent people of the earth. These memes in stone were the popular way of expressing the disgust that the average man felt for the Jew, a constant visual reminder of who the Jews really were, what they were about, and what they would do if the people were not vigilant. Now they don’t want people to see for themselves what the artist was saying but to have the message filtered through the Jew lens for that so called historical engagement which is really historical disengagement, or historical amnesia. What they want is some of that infamous modern German “coming to terms with the past” (Vergangenheitsaufarbeitung) you hear way too much about. This is the official process where a once great and mighty people lay down prostate, cry, atone, and promise never to wage the war of life ever again.

“The sculpture dates from the 13th century, measures around 22 by 55 centimeters and shows a suckling pig with a human face and a Jewish headgear. It is not placed in the church building itself but in the cloister of the adjacent monastery building. The sculpture was meant to remind the monks of the cathedral to live a sin-free life.”

The irony is that now, in an entirely different way, they want this stone message to do the same thing. To have the Germans and other White people who see it have a “sin free life.” Now however sin is defined as the greatest of all sins, the sin that until the last five minutes of historical time no White European would ever have had occasion to consider a sin, the so called sin of racism, the so called sin of Jew hate. Now the great Adolf Hitler is the devil himself, and salvation lay in abjuring White racial pride and White self defense and surrendering everything our ancestors gave to us.

“Images mocking Jews and Judaism and encouraging antisemitic violence have been displayed throughout Europe since the early Middle Ages. In a time when literacy was uncommon, these images were the political cartoons and posters of the age, and the ridicule and carnage they promoted were both routine and government-sanctioned. At a time when politicians are warning about rising antisemitism in Germany, the ruling is a reminder of widespread anti-Jewish sentiment in the Middle Ages.”

Our ancestors carved memes in stone, they were the Julius Streichers and and Fips of their day. But you can be sure that no one was around back then to try them on bogus and trumped up war crimes and hang them in the public square to near universal fanfare. But these Pig Jew figures are the lineal forebears and precursors of the Happy Merchant and Hand Rubbing memes of today; they are all of a piece and it makes us know we are in awfully good company, the best in fact. The irony that lo these many years later these great men of the past are being taken to the regime’s woodshed is rich and deep. Back when these Pig Jews started sprouting up like lilacs in fertile land Europe was about to embark on 500 years of unparalleled excellence in every field of endeavor: music, literature, painting, the plastic arts, science. Now when we “know better” we are on the cusp of collapse. But perhaps it’s a good sign that another sign from the past is in the news these days. Just the other day they dug up a perfectly preserved 3000 year old sword in Nordglingen, Germany. So perfectly preserved was it that it gleamed and shone in the sun, its wonderful metal a sign of power. Perhaps it is a sign from the earth indeed: that Germany is once again to awake.

[Douglas Mercer]

https://www.thejc.com/news/world/german ... KNmgBP3ti8

A German church has been urged to remove a controversial antisemitic sculpture. The 13th century "Judensau" or "Jew Sow" on Wittenberg town church depicts a caricature of a rabbi lifting the tail of a sow and two Jewish children suckling on the teats.

[FolkishFreya]

Haha screw 'em.

[Douglas Mercer]

[Douglas Mercer]

[Douglas Mercer]

[Douglas Mercer]

[Douglas Mercer]