Douglas Mercer
December 7 2024
It wasn’t long after I’d started writing and preaching to the public that I began to understand that most of the public is completely impervious to any message that doesn’t come to them through the media. The only thoughts they permit into their heads are thoughts that they believe are in the heads of their peers. These are the lemmings, and it simply isn’t worthwhile trying to talk to them until one can do it through a medium comparable in power to the media in the hands of the Jews—William Pierce.
As the above quote definitively demonstrates the Jews own the media in America and have done so for going on a century now. And take any communication course and you will know that the Media Is The Message, that is the media is the medium people swim in. Sure people are said to be skeptical today, it’s said that they know big institutions can lie, but when it comes to the hiding of the most basic of things and most basic of facts (such as the fact the Jews are predators who control the media) the Media is preaching to the converted. Of course it was the Jews who converted them to the deception but that won’t stop them from preaching until the end. They have to do so for they are the Emperor Who Has No Clothes (that is they are the Jews who are evil and have a massive track record of destroying America) so they live in mortal fear of some innocent child yet to be in thrall to them standing up in the public square and shouting that they are bereft of clothes. And while people might see that the Jews are being a trifle over aggressive in their prosecution of their current war that is only the tip of the iceberg. People’s memories are so short (running back to their last meal and the last show they watched) that they forget that America used to actually be a good country. And so benighted are they that when they see the trash on their screens they are no longer are even capable of identifying it as trash. For at the heart of the Jewish penchant for decomposition is the cultural and the cultural destruction of America is now completed (See A Mighty Dose Of Poison, National Vanguard, July 26 2021). For the rancid feather in the Jewish cultural cap has always been the movies, and from Sophie’s Choice to Schindler’s List to Oppenheimer to The Zone Of Interest they put their malign spells on the silver screen and the human amoeba with gland like brains inhale a mighty dose of the Jew poison. It’s up on the screen they think so it must be history, it must be true. And now the Jews are reaching down into their sack of dirty tricks and putting up a big new picture which will press the buttons of the public’s erogenous zones with some maudlin and mawkish sympathy. For now we will see that favorite stock character of Jewish mythography, the one that hits the Christians in their addled brains, the figure of the righteous gentile. For like the traitor Oscar Schindler so too did Dietrich Bonhoeffer (they say) stand up to the National Socialists and fight the supposedly good fight on behalf of that most nebulous of things: humanity. In the coteries of intellectual Christians (I’m joking, I know that is a contradiction in terms) no name is more hallowed. Just say the word Bonhoeffer and their hearts will begin to swell, their emotions get carried away, and a tear or two drip from their unseeing eyes. Bonhoeffer! A true hero! A dissident! Saint! Martyr! More should be said about him they think, so why not a big movie? And right on cue here it comes, the lies and the propaganda, what they deem a kill shot to the heart to set moral hearts fluttering. The movie is meant to canonize the puerile pastor, to make him Saint Dietrich, it is meant for him to be as hallowed and sacred as Lourdes Water and will (as the Jews laugh up their dirty sleeves) give the gentiles a lot to think about. This is what makes Jewish Hollywood Jewish Hollywood---a pack of lies dressed up in moral terms.
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Unless you want to puke all over self don’t watch the trailer for the new movie Bonhoeffer for it picks up every theme the Jews love so much. It gets the beginning right when it says that something is coming, something unstoppable—that is the rule of the White race represented imagistically by stalwart German men in impeccable military uniforms—but then it descends into Hebrew propaganda so vile that you are reminded that what they love most is to lay it on so thick your jaw locks. We then quickly see some Jews looking rather downcast with shaved heads and those funny looking pajamas and overdubbed on the sickening treacle comes raging the wan peal of the lyrics of the pint sized Jew Paul Simon’s Pop Standard of the lonely hearts; and it’s a signal for the weak hearts to flutter in deep reverence and awe: hello darkness my old friend. It’s one of those trigger songs of an allegedly sacramental nature and now it is put to the use of the Jews as an ear worm to hit the heart strings of the gullible and the credulous. Hello darkness my old friend—I’ve come to talk to you again. Well, my word, Adolf Hitler must be pure evil, who can withstand such an argument? After all they just said hello darkness---and the lachrymose strain of the music is too rich for deracinated blood of the dullards. Then they show a nice German lady (who should be the pride of the Aryans) but she is crying and hugs their child, apparently in mortal fear of the Aryans. Then we see the ugly face of the actor who portrays the protagonist and he has a smarmy smirk on his face as he reads his Bible (the red letters mean it’s true!). Next the good pastor walks into a negro bar where some spooks are doing swing (Hitler hated jazz and its insipid degeneracy so he was obviously a bad man); then the self important pastor stands next to a black man and is hit on the head by a tall White man (a vicious racist is the message here); and on to a scene with the Washington Monument silhouetted in a kind of swaddling light meant to betoken the holy and in the spiritual scene he is sitting next to (you guessed it!) another black man (we detect a theme) who gives the heart and soul and very essence of Bonhoeffer’s theology: hate comes in every color. Next we see “Nazi” youth (looking rather resplendent I must say) and then the protagonist is seen praying with some other sap and they hold hands against the rough beast that has slouched into Berlin on the back of a baleful charisma and a Volkish ideology; the assassination attempt on the Fuhrer is alluded to (the hero will do some derring do) and we see that monumental fool Winston Churchill chomping a stogie; you see Bonhoeffer will become a spy—God’s Spy! He then screams that his country has been invaded from within (he means Hitler not Jews) and of course Paul Simon’s saccharine lyrics are now being shouted at the top of lungs—the people bowed and prayed! (Hitler as mesmerist). Some niggers then get all jive ass and sway to the sounds of an unheard gospel rhythm and in the pulpit wearing one of those fey white neck ties the Puritans used to like and looking pretty lame the hero give the good word to the people. Then he gets arrested and we see interspersed the icon of Jesus Christ telling us that our man the marvelous martyr is just like that dead Jew of old; a cut then to him in jail and then we see a cut shot of the ominous noose that is his fate and the words of Paul Simon are now reaching a crescendo pitch and telling about the love whispering in (you know it): the sounds of silence. And just then a light breaks through a gloomy sky and the viewer’s heart is supposed to crack at the prospect of the leading man’s (supposedly) heroic death.
This two minutes and thirteen seconds video is Jewish 101 in bamboozling the millions.
So many errors they say: and so little time. All I will say as my time is limited is that I seriously doubt that the words of the prophets are written on subway walls and tenement halls--that being just nigger graffiti.
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Safe to say that the theology of Dietrich Bonhoeffer (such as it is) is pure drivel. First off he exists foursquare in the fantasy force field which goes by the name of Christianity, a belief system so childlike that it numbs the mind of any who try to explicate it. His big reputation is as the very modern theologian who affirms that the root of reality is God revealed as Jesus Christ but that one must live in the concrete world and put a solid focus on ethics. This ethics, as you might guess, is the ethics of love, love of one’s fellow man on a universal basis. Personal prayer, work, the life of the Christian community, and dedication to justice---social justice—are the hallmarks of his creed. And this might seem rather simplistic and it is but I have traversed through his turgid prose—and his theology is not more complex than that one should love one’s brother as oneself and commit to a Utopian ideal of social harmony with a strong emphasis of justice at its core. It seems mind boggling that such trite tripe could vault one to the echelons of being the most significant Christian Theologian of the 20th century but then the competition is pretty much slim pickings. And being the greatest Christian Thinker of the times is akin to being the thinnest kid at fat camp. His notion of the theology of the cross and the idea of costly grace are puerile and basically state the one must let justice reign. That is it is pure humanism with a Christ like sheen and, as such, beggars any mind which subscribes to it.
It was conservative yahoo and media talking head Eric Metaxas’ biography which brought back Bonhoeffer’s reputation to life for the public when surely it had died a well-deserved death. In essence Bonhoffer is the quintessential liberal whom the conservatives love to love because he puts his egalitarian creed firmly on the rock of Jesus Christ. Any number of current Christian pastors are a knock off of his block when they preach that Jesus challenges one to be an anti-racist and embrace one world is enough cosmopolitanism. It is a sign of the decaying times that such a paltry, not to mention untrue, message can slide one posthumously up the greasy pole of fame in today's world. And now get a massive movie made about you. But then no one said our world had a culture or a philosophy to speak of.
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And of course Bonhoeffer battled Adolf Hitler which fact alone is enough to get middle class Americans salivating worse than Pavlov’s dog. Hitler knew of course of the canker of the Christian Church, that it was a running sore on his people, and he strove valiantly to quell its power; but so many Germans clung to the time expired religion that it bedeviled our Fuhrer to the very end.
"The great masquerade of evil has confused all ethical concepts. The fact that evil can take on the appearance of light, benevolence, historical necessity and social justice is simply bewildering to someone who comes from our traditional ethical world; for the Christian, whose life is guided by the Bible, it is very much a confirmation of the profound evilness of evil."
This is Bonhoeffer on National Socialism, a typical enough take, all the bien pensants think the same. But light, benevolence, and historical necessity it was, this grand regime of ours that came within shouting distance of putting the future of the Aryan race and thus the future of the earth on a sound basis. But to evil the light will always seem evil—that’s why we call them evil. This ideology of the invalids is the ideology of our world now, though the far seeing can see that it is now at the end of its rope. And the feel good part of this movie is that though their beautiful plans (which still have not died) were dissolving the German people got in good piece of revenge when on April 8 1945 at a drum head trial one Pastor Dietrich Bonhoeffer saw his treachery against his people come to its just and fit fruition when he was sentenced to death; and after offering up some pointless and mealy mouthed beseeching to the Jewish sky god was hanged the next day. Which only goes to show there is no rest for the wicked—and good riddance. And we can hope, as we eschew this malevolent movie, that the man twisted slowly--very slowly--in the wind. Not a martyr's death--but a traitor's.
Traitor
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Douglas Mercer
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