Servility In Simi Valley
Posted: Mon Sep 11, 2023 10:12 pm
Douglas Mercer
September 11 2023
At the Reagan Library in Simi Valley California they are taking time off from bringing in Neocons to give rah rah more war speeches to Iranian expats, extolling low taxes (behind glass they have the actual napkin Laffer used), celebrating neoliberal economic policies that exported jobs and left White communities dust bowls and ghost towns, approving of the fattening up of the wallets in the Military Industrial Complex, and giving short shrift to a fit of absent minded amnesia at the border that got the ball rolling on the biggest invasion since D-Day and, of course, ballyhooing getting that wall torn down when he should have put one up on our border. Yes, indeed they are taking time off from galvanizing the people in the name of the Gipper with his signal failures but they are not foregoing this feral fetishism for just any old thing. No sir. They have a big Jew Exhibit in tow and it’s the only place you can see it on the West Coast should you or your children desire yet another ideological prefrontal lobotomy, want to surrender your mental free will, and yet again grovel in front of the Jews. You can see those trains, and the shoes of course, but in addition to these time-honored anti-verities, you can see that barbed wire fence that penned in the Jews to what they claim was a predestined doom. It is of course a charnel house of horrors and another round of supplication, and at the Reagan Library they’ll play the tiny violins for the tiny hattted victims and squeeze every last bit of pulp and juice out of the orange for what after all is not the greatest story ever told, but the weakest and most maudlin one that never happened.
“The first touring exhibition dedicated to the notorious Auschwitz concentration camp will stay longer in Southern California. The Reagan Presidential Library and Museum is the only facility on the West Coast where the public will be able to see this. The Auschwitz concentration camp exhibit that had been set to end in August 2023 will continue showing until January 28 2024. The exhibit, Auschwitz. Not long ago. Not far away, opened in March 2023 and had been set to close August 13 2023. Leaders of the Ronald Reagan Presidential Foundation and Institute said demand that has brought more than 130,000 people to the Holocaust exhibit triggered the extended showing.”
Wait, there’s more! The sheep are out in full force and making it a big big success. Why, it’s the hottest ticket in town since they trotted King Tut around. You have not got enough of the Holocaust? Not yet got your fill? Hard to believe in this day and age of gruesome and garish Holocaust glut and guilt, when every kid in every school is subjected to the farfetched fascination with the fabrications, and Ken Burns and his Jewish producers will make their big splash with one more sinister voiced documentary about that Voyage Of The Damned. But if you have a five-year-old who has not yet had his head filled with these Jewish fairy tales, who has not been told that once Mengele surgically sewed a colon to a bladder just for shit and giggles, then this big Reagan Jew Fest might just be the thing. After all it’s never too early to teach the young to be decent and upstanding citizens by knowing a good smattering of the legends and the lore, all the details of the horror of those camps, and be able on cue to regurgitate them on command like a good little lemming. And if that child does not wake up from the fantasy one day he will thank you for doing so, when he was but a child he was able to gaze on the rare shoes and hair just like previous generations saw the jewels and gold of that old time pharaoh.
“As visitors educate themselves about one of the most sinister times in human history, we have seen people around the globe touched, many moved to tears, by the powerful stories the exhibition tells, Reagan foundation CEO David Trulio said in a news release. It is more important than ever that people learn from the exhibition and never forget the suffering people endured so that we can ensure history never repeats itself.”
What kind of whimpering whelps and simpering simps would be moved to tears by such a showing? Why, you’d have to have a heart of stone not to burst out laughing. Simi Valley is “notorious” as the place where all those “White racist” LAPD officers used to live and where they held the trial that ignited the 1992 LA Riots (not that it takes all that much to get niggers to loot and burn). Thus Simi Valley has always had the reputation sort of like Coeur D’Alene as a final redoubt and last pocket of White resistance in the face of the feral flaying of America. Of course it is nothing of the sort and now they have themselves their big Holocaust Extravaganza to prove that they can serve up the subservience on a platter just as well as the next guy or goy---and probably a whole lot better.
“The exhibition includes over 700 artifacts and 400 photographs including objects from the Auschwitz-Birkenau State Museum as well as over 20 other institutions from around the world. This is the first time the Auschwitz-Birkenau State Museum has ever allowed artifacts to go abroad. The exhibition, titled Auschwitz. Not Long Ago. Not Far Away opened in 2018 in Madrid and then traveled to New York, Kansas City and Sweden before coming to the Ronald Reagan Presidential Library and Museum. The exhibition will make two other stops in North America before the bulk of the materials go back to Poland, but Simi Valley is the only place the show will be seen on the West Coast.”
This is like a big Broadway show, they got the tickets sold out well in advance and everyone is so honored that they chose their town to grace with their propaganda. And then one day after everyone has been on pins and needles for so long the actors and the technicians and the Shoah shamans swoop in with their bags full of hair and their carts full of shoes and the medical bags stuffed with those evil calipers and the carpenters and the electricians work overtime and soon it’s all ready. The CEO, the curators, and the marketing officers make the rounds of the Jew news outlets and thei blurb and burble the puff quotes about how this is a big think piece, a once in lifetime opportunity. After all how often does a train “just like the ones they used” chug into Simi Valley? How often do they put up barbed wire fence “just like the one they used” and put it up right next to where the Gipper rode off into the sunset? How often do you see the eyeglasses that belonged to Sarah and Shlomo? The suitcases that packed a world of hurt? The gaps in the fence that those sad eyes peered through? How often do you see mounds of shoes piled up in a saccharine display? Well, that happens all the time, it’s their bread and butter and stock in trade, fully patented and trademarked, but the train and the fence are a somewhat novel twist on an old theme: Jewish suffering as presented by the world class drama queens themselves.
“Ronald Reagan served in the Army during World War 2. Since he was already a famous movie actor he was not sent abroad and was instead assigned to the First Motion Picture Unit to make military training films. It was while assigned to the unit that Reagan saw images of the Holocaust he would never forget. He and his unit were sent footage from the field and they saw Dachau and they saw the horror. And he was so moved by that that he went home and he actually made his young children watch the footage because he wanted them to know the importance of what hatred can do, said Melissa Giller, chief marketing officer of the Ronald Reagan Presidential Foundation and Institute in Simi Valley. The images were taken following the liberation by U.S. forces of Nazi Germany’s first concentration camp.”
Outside of a few die-hard lackeys and few curious camp followers no one ever accused Ronald Wilson Regan of having a first-rate mind. It wasn’t even second or third class, rather it was pulling up the rear, so much so that in another day and age as child he might have had more than few long rides on the short bus. If you believe this set piece the Jews got their cameramen in right quick to the “liberated camps” and sent the footage Air Mail Express to Hollywood, that infamous “Empire Of Their Own.” You can see that sending images of the folk tale to be to the land of make believe was the highest priority to them; really everything else was an afterthought. You had to get those fabricated images into the world of fabricated images, and in Ronald Wilson Reagan they found a credulous gull who bought the far fetched and farcical fantasy hook, line, and sinker. One look at the pile of corpses and the emaciated figures that would soon shoot to the uppermost of the world’s mind and he was sold: never for a minute did he think to contextualize what he saw: allied bombing and the consequent outbreak of hunger and disease; no sir, not our Ronnie; nary a deep thought or doubt ever graced his brazen head; he went straight home and showed the ghoulish propaganda to his children; because it’s never too early to begin to inculcate them in what was then a gestating lie soon to be born.
“Giller said demand for tickets is so high that some upcoming weekends are already sold out, and reservations are highly recommended. The 12,000-square-foot exhibition includes a mandatory audio tour so people can comprehend the displays. It takes about two hours to experience the entire show and will be limited to 200 people an hour. Giller said the impact of seeing the actual objects from Auschwitz is profound. No book, no podcast, no history lesson can prepare you for the impact and power that these artifacts hold. These artifacts are real artifacts. They’re direct witnesses to the horrors of Auschwitz and the Holocaust. And they’re here on display so that we can bring the education of the camps, of the Holocaust, to the people rather than people having to go to Poland to see them.”
This show is so popular they are packing them in like sardines, the better to give the unwary visitor the experience of what they say it must have been like on those trains. It’s two hours of a Dantesque descent into the lower circles of hell and about as real. No shirking or slacking on the audio, if you won’t listen to the drivel of the words no shoes for you! It’s very odd that the paying public is made to experience a certain part of the show but you can see their logic, twisted as it is. They don’t want some rational person to bypass the headphones which function as blinders and say “no thank you, I’m good, I’ll make up my own mind, I’ll contextualize it myself.” That would not do so they force feed the words into the brains by priming the pump and make sure that everyone “comprehends” it. And by that they mean comprehend it in just the exact way they want to them to comprehend it---which means not comprehend it at all. They’ll pour the vial of poison into the ears about the train schedules, about the ramps where life and death was chosen in an instant, about the Zyklon B canisters that looked like so much rat poison, about fooling them into thinking it was just a delousing, about the showers, the gas, the crematoria, the clawing, the screaming and, of course, the ashes—always the ashes. But nothing about the orchestra, the swimming pools, the wooden doors, or the typhus or the bombing. And once they’ve got the good little prefrontal lobotomy candidates good and ready for the operation they can then allow them to walk through with not once chance in a million that they will see though this dog and pony show consisting of so much smoke and so many mirrors.
“Exhibition Co-Curator Dr. Michael Berenbaum is a Distinguished Professor at the American Jewish University in Los Angeles spoke with the Ventura County Reporter as the once-electrified fence post was being installed by a crew of experts from the Auschwitz-Birkenau State Museum. According to Berenbaum, there’s been an overwhelming response to the exhibition as it’s traveled the world so far. He said that Auschwitz sold out repeatedly for months in Kansas City, was viewed by 600,000 people in Madrid and also won an international prize for the best European exhibit.”
This Berenbaum creature (who is Jewish by the way) is steeped in the interstices of the Holocaust Industry off of which he has made a nice fat living clipping the ideological coins. He was the deputy director of the President’s Commission on the Holocaust, he was the project director of the United States Holocaust Memorial Museum (USHMM) and was the director of the USHMM’s Research Institute, he was the president and CEO of the Survivors of the Shoah Visual History Foundation, and the director of the Sigi Ziering Institute which explored (they say) the Ethical and Religious Implications of the Holocaust. The Jews have such a vast and copious interlocking directory of agencies, projects, boards, memorials, so many shibboleths and sinecures, so many university departments, so many propagandistic professors, and they all rotate around the spider web they’ve woven and one of them ends up in Simi Valley heaping up a big dose of servility for the goyim. This time it happens to be this Berenbaum creature (who’s Jewish by the way), but really it could have been any of them.
“Berenbaum said it’s appropriate that the exhibition is appearing at the Ronald Reagan Presidential Library because Reagan was so devoted to spreading democracy and promoting freedom for all people. Ronald Reagan understood evil. Auschwitz became the symbol of evil. I call it the negative absolute, explained Bernbaum. The Holocaust was perpetrated in 23 countries. It involved the most civilized advanced society with literature and art, music and culture. And therefore, to engage two great monotheistic religions, it is a uniquely Western and distinctly modern genocide. And consequently, people are drawn to this. We don’t create a chamber of horrors.”
No, it’s a Chamber Of Horrors. If they had any honesty they’d have a mechanical effigy of a black clad Vincent Price jump out at the patrons as they leave just to coat the experience with the proper shellacking of the macabre. This isn’t even history of the half shell, this isn’t history bowdlerized, this isn’t even history at all. This is the tall tale and the folk tale and the fairy tale, the fiction and the fantasy and the fabrication and the fable, and the virtual reality kitted out in their just so story. This is not anything as highfalutin as the negative absolute; this is the developer monkeying with the negatives to give the inverse images of reality. The always say you have to remember history if you don’t want history to repeat. But they don’t tell you that the guy who dropped that bon mot once stood on a restaurant table in Rome and gave Mussolini the Roman salute as he drove by. But never to worry, their never again is a misnomer; when the time comes and the time is ripe history won’t repeat itself, far from it. This time we’ll do it right.
September 11 2023
At the Reagan Library in Simi Valley California they are taking time off from bringing in Neocons to give rah rah more war speeches to Iranian expats, extolling low taxes (behind glass they have the actual napkin Laffer used), celebrating neoliberal economic policies that exported jobs and left White communities dust bowls and ghost towns, approving of the fattening up of the wallets in the Military Industrial Complex, and giving short shrift to a fit of absent minded amnesia at the border that got the ball rolling on the biggest invasion since D-Day and, of course, ballyhooing getting that wall torn down when he should have put one up on our border. Yes, indeed they are taking time off from galvanizing the people in the name of the Gipper with his signal failures but they are not foregoing this feral fetishism for just any old thing. No sir. They have a big Jew Exhibit in tow and it’s the only place you can see it on the West Coast should you or your children desire yet another ideological prefrontal lobotomy, want to surrender your mental free will, and yet again grovel in front of the Jews. You can see those trains, and the shoes of course, but in addition to these time-honored anti-verities, you can see that barbed wire fence that penned in the Jews to what they claim was a predestined doom. It is of course a charnel house of horrors and another round of supplication, and at the Reagan Library they’ll play the tiny violins for the tiny hattted victims and squeeze every last bit of pulp and juice out of the orange for what after all is not the greatest story ever told, but the weakest and most maudlin one that never happened.
“The first touring exhibition dedicated to the notorious Auschwitz concentration camp will stay longer in Southern California. The Reagan Presidential Library and Museum is the only facility on the West Coast where the public will be able to see this. The Auschwitz concentration camp exhibit that had been set to end in August 2023 will continue showing until January 28 2024. The exhibit, Auschwitz. Not long ago. Not far away, opened in March 2023 and had been set to close August 13 2023. Leaders of the Ronald Reagan Presidential Foundation and Institute said demand that has brought more than 130,000 people to the Holocaust exhibit triggered the extended showing.”
Wait, there’s more! The sheep are out in full force and making it a big big success. Why, it’s the hottest ticket in town since they trotted King Tut around. You have not got enough of the Holocaust? Not yet got your fill? Hard to believe in this day and age of gruesome and garish Holocaust glut and guilt, when every kid in every school is subjected to the farfetched fascination with the fabrications, and Ken Burns and his Jewish producers will make their big splash with one more sinister voiced documentary about that Voyage Of The Damned. But if you have a five-year-old who has not yet had his head filled with these Jewish fairy tales, who has not been told that once Mengele surgically sewed a colon to a bladder just for shit and giggles, then this big Reagan Jew Fest might just be the thing. After all it’s never too early to teach the young to be decent and upstanding citizens by knowing a good smattering of the legends and the lore, all the details of the horror of those camps, and be able on cue to regurgitate them on command like a good little lemming. And if that child does not wake up from the fantasy one day he will thank you for doing so, when he was but a child he was able to gaze on the rare shoes and hair just like previous generations saw the jewels and gold of that old time pharaoh.
“As visitors educate themselves about one of the most sinister times in human history, we have seen people around the globe touched, many moved to tears, by the powerful stories the exhibition tells, Reagan foundation CEO David Trulio said in a news release. It is more important than ever that people learn from the exhibition and never forget the suffering people endured so that we can ensure history never repeats itself.”
What kind of whimpering whelps and simpering simps would be moved to tears by such a showing? Why, you’d have to have a heart of stone not to burst out laughing. Simi Valley is “notorious” as the place where all those “White racist” LAPD officers used to live and where they held the trial that ignited the 1992 LA Riots (not that it takes all that much to get niggers to loot and burn). Thus Simi Valley has always had the reputation sort of like Coeur D’Alene as a final redoubt and last pocket of White resistance in the face of the feral flaying of America. Of course it is nothing of the sort and now they have themselves their big Holocaust Extravaganza to prove that they can serve up the subservience on a platter just as well as the next guy or goy---and probably a whole lot better.
“The exhibition includes over 700 artifacts and 400 photographs including objects from the Auschwitz-Birkenau State Museum as well as over 20 other institutions from around the world. This is the first time the Auschwitz-Birkenau State Museum has ever allowed artifacts to go abroad. The exhibition, titled Auschwitz. Not Long Ago. Not Far Away opened in 2018 in Madrid and then traveled to New York, Kansas City and Sweden before coming to the Ronald Reagan Presidential Library and Museum. The exhibition will make two other stops in North America before the bulk of the materials go back to Poland, but Simi Valley is the only place the show will be seen on the West Coast.”
This is like a big Broadway show, they got the tickets sold out well in advance and everyone is so honored that they chose their town to grace with their propaganda. And then one day after everyone has been on pins and needles for so long the actors and the technicians and the Shoah shamans swoop in with their bags full of hair and their carts full of shoes and the medical bags stuffed with those evil calipers and the carpenters and the electricians work overtime and soon it’s all ready. The CEO, the curators, and the marketing officers make the rounds of the Jew news outlets and thei blurb and burble the puff quotes about how this is a big think piece, a once in lifetime opportunity. After all how often does a train “just like the ones they used” chug into Simi Valley? How often do they put up barbed wire fence “just like the one they used” and put it up right next to where the Gipper rode off into the sunset? How often do you see the eyeglasses that belonged to Sarah and Shlomo? The suitcases that packed a world of hurt? The gaps in the fence that those sad eyes peered through? How often do you see mounds of shoes piled up in a saccharine display? Well, that happens all the time, it’s their bread and butter and stock in trade, fully patented and trademarked, but the train and the fence are a somewhat novel twist on an old theme: Jewish suffering as presented by the world class drama queens themselves.
“Ronald Reagan served in the Army during World War 2. Since he was already a famous movie actor he was not sent abroad and was instead assigned to the First Motion Picture Unit to make military training films. It was while assigned to the unit that Reagan saw images of the Holocaust he would never forget. He and his unit were sent footage from the field and they saw Dachau and they saw the horror. And he was so moved by that that he went home and he actually made his young children watch the footage because he wanted them to know the importance of what hatred can do, said Melissa Giller, chief marketing officer of the Ronald Reagan Presidential Foundation and Institute in Simi Valley. The images were taken following the liberation by U.S. forces of Nazi Germany’s first concentration camp.”
Outside of a few die-hard lackeys and few curious camp followers no one ever accused Ronald Wilson Regan of having a first-rate mind. It wasn’t even second or third class, rather it was pulling up the rear, so much so that in another day and age as child he might have had more than few long rides on the short bus. If you believe this set piece the Jews got their cameramen in right quick to the “liberated camps” and sent the footage Air Mail Express to Hollywood, that infamous “Empire Of Their Own.” You can see that sending images of the folk tale to be to the land of make believe was the highest priority to them; really everything else was an afterthought. You had to get those fabricated images into the world of fabricated images, and in Ronald Wilson Reagan they found a credulous gull who bought the far fetched and farcical fantasy hook, line, and sinker. One look at the pile of corpses and the emaciated figures that would soon shoot to the uppermost of the world’s mind and he was sold: never for a minute did he think to contextualize what he saw: allied bombing and the consequent outbreak of hunger and disease; no sir, not our Ronnie; nary a deep thought or doubt ever graced his brazen head; he went straight home and showed the ghoulish propaganda to his children; because it’s never too early to begin to inculcate them in what was then a gestating lie soon to be born.
“Giller said demand for tickets is so high that some upcoming weekends are already sold out, and reservations are highly recommended. The 12,000-square-foot exhibition includes a mandatory audio tour so people can comprehend the displays. It takes about two hours to experience the entire show and will be limited to 200 people an hour. Giller said the impact of seeing the actual objects from Auschwitz is profound. No book, no podcast, no history lesson can prepare you for the impact and power that these artifacts hold. These artifacts are real artifacts. They’re direct witnesses to the horrors of Auschwitz and the Holocaust. And they’re here on display so that we can bring the education of the camps, of the Holocaust, to the people rather than people having to go to Poland to see them.”
This show is so popular they are packing them in like sardines, the better to give the unwary visitor the experience of what they say it must have been like on those trains. It’s two hours of a Dantesque descent into the lower circles of hell and about as real. No shirking or slacking on the audio, if you won’t listen to the drivel of the words no shoes for you! It’s very odd that the paying public is made to experience a certain part of the show but you can see their logic, twisted as it is. They don’t want some rational person to bypass the headphones which function as blinders and say “no thank you, I’m good, I’ll make up my own mind, I’ll contextualize it myself.” That would not do so they force feed the words into the brains by priming the pump and make sure that everyone “comprehends” it. And by that they mean comprehend it in just the exact way they want to them to comprehend it---which means not comprehend it at all. They’ll pour the vial of poison into the ears about the train schedules, about the ramps where life and death was chosen in an instant, about the Zyklon B canisters that looked like so much rat poison, about fooling them into thinking it was just a delousing, about the showers, the gas, the crematoria, the clawing, the screaming and, of course, the ashes—always the ashes. But nothing about the orchestra, the swimming pools, the wooden doors, or the typhus or the bombing. And once they’ve got the good little prefrontal lobotomy candidates good and ready for the operation they can then allow them to walk through with not once chance in a million that they will see though this dog and pony show consisting of so much smoke and so many mirrors.
“Exhibition Co-Curator Dr. Michael Berenbaum is a Distinguished Professor at the American Jewish University in Los Angeles spoke with the Ventura County Reporter as the once-electrified fence post was being installed by a crew of experts from the Auschwitz-Birkenau State Museum. According to Berenbaum, there’s been an overwhelming response to the exhibition as it’s traveled the world so far. He said that Auschwitz sold out repeatedly for months in Kansas City, was viewed by 600,000 people in Madrid and also won an international prize for the best European exhibit.”
This Berenbaum creature (who is Jewish by the way) is steeped in the interstices of the Holocaust Industry off of which he has made a nice fat living clipping the ideological coins. He was the deputy director of the President’s Commission on the Holocaust, he was the project director of the United States Holocaust Memorial Museum (USHMM) and was the director of the USHMM’s Research Institute, he was the president and CEO of the Survivors of the Shoah Visual History Foundation, and the director of the Sigi Ziering Institute which explored (they say) the Ethical and Religious Implications of the Holocaust. The Jews have such a vast and copious interlocking directory of agencies, projects, boards, memorials, so many shibboleths and sinecures, so many university departments, so many propagandistic professors, and they all rotate around the spider web they’ve woven and one of them ends up in Simi Valley heaping up a big dose of servility for the goyim. This time it happens to be this Berenbaum creature (who’s Jewish by the way), but really it could have been any of them.
“Berenbaum said it’s appropriate that the exhibition is appearing at the Ronald Reagan Presidential Library because Reagan was so devoted to spreading democracy and promoting freedom for all people. Ronald Reagan understood evil. Auschwitz became the symbol of evil. I call it the negative absolute, explained Bernbaum. The Holocaust was perpetrated in 23 countries. It involved the most civilized advanced society with literature and art, music and culture. And therefore, to engage two great monotheistic religions, it is a uniquely Western and distinctly modern genocide. And consequently, people are drawn to this. We don’t create a chamber of horrors.”
No, it’s a Chamber Of Horrors. If they had any honesty they’d have a mechanical effigy of a black clad Vincent Price jump out at the patrons as they leave just to coat the experience with the proper shellacking of the macabre. This isn’t even history of the half shell, this isn’t history bowdlerized, this isn’t even history at all. This is the tall tale and the folk tale and the fairy tale, the fiction and the fantasy and the fabrication and the fable, and the virtual reality kitted out in their just so story. This is not anything as highfalutin as the negative absolute; this is the developer monkeying with the negatives to give the inverse images of reality. The always say you have to remember history if you don’t want history to repeat. But they don’t tell you that the guy who dropped that bon mot once stood on a restaurant table in Rome and gave Mussolini the Roman salute as he drove by. But never to worry, their never again is a misnomer; when the time comes and the time is ripe history won’t repeat itself, far from it. This time we’ll do it right.
