Douglas Mercer
September 7 2023
The best thing about covering the Jew beat is you never run out of stories. These Jews in their Jew rags serve up a never-ending supply of prefabricated parody that is soon proliferating in your files like swarms of ravenous locusts. This mountain of satire ready information would require a team of hundreds to do justice to, working round the clock to transcribe the travesty they present as truth, as each one lies there ready for its hyperbolic transmission and begging and beseeching to be mocked. What they serve up on a platter without guile effortlessly precipitates the purple prose of the one with withering words. As it is only a fraction can be processed but even so with such an embarrassment of rancid riches it would be a poor writer indeed who could not make eternal hay out of them.
You’d think they’d run out of space in Germany for yet another Jewish monument, you hear that the German economy is shrinking so you might think they can’t be so profligate to erect yet another shrine to the Hebrews, you might think that when it came to the fantasy and fiction of the Holocaust they were running out of ideas, how many piles of shoes can you show after all? And yes you might think that even the Germans were getting Jew fatigue; that even for the Germans the Jews were getting a bit shopworn and long in the tooth; that their shtick of unsurpassable suffering was getting tired and stale; but if you thought any of this you thought wrong, in fact your thinking missed the sad reality like others miss the broad side of barn. Hell, the Jews are just getting started. It took them years to get the groveling going, a still somewhat sensible nation resisted the more lavish and extravagant displays of obsequiousness for decades after the war. Sure they were publicly humble and dour faced in the face of their eternal enemies, but what really got the evil genie unleashed from the bottle were two events somewhat widely spaced in time; the first was the importation of the American (sorry, Jewish) docudrama (more drama queens than documentation) called The Holocaust. Apparently the Germans were able to maintain a modicum of dignity and decorum for a while the but the syrupy sight of future Trump booster and color-blind conservative James Wood sporting a Jew badge made them fall to pieces. That image of tough guy (really baby faced) Michael Moriarty breaking glass on the night of breaking glass scared the living daylights and the bejesus out of them. The show’s impact in Germany was said to be “enormous” and, unsurprisingly, is widely credited (blamed!) for bringing the word Holocaust into large scale usage. You see the made (up) for television show the Holocaust was metapolitics on an industrial scale and tipped the scales from a teetering nation to one that would fall all over itself to worship the Jews. After all who can watch the barmy boo hooing of Meryl Streep and not have a guilt-ridden nervous breakdown?
That was in 1978 and was the one in the one-two punch. The killshot they say was when in 1995 they piled up a big Wehrmacht exhibit and took it on the road like a vaudeville revue. This was their cause célèbre,and they dragged it around the German speaking world to make sure everyone got a real good look. The gist of the takeaway on this one is that prior to this show a lot of Germans thought that the Army was full of the good guys, and it was just a lot of Himmler’s and Heydrich’s men in the rear areas who shot those Jews in the faces and kicked them into the ditches. Whatever fractional amount of this that did happen was due to their being a war on after all and there were partisan guerilla actions to deal with. It’s the ho hum of life but the stories of these “einstatzgrupen” is the favored Jew ploy; and they deploy it to show that the Germans did not abide by the rules of war, unlike those niggers whom the French unleashed on the women of Italy. This would all by now be outright tedious were it not so potent an elixir to fell the German people. And the big exhibit comes along and says it was not just the SS auxiliaries who were to “blame” but the Wehrmacht too; and next thing you know the “scales had a fallen from their eyes” and the floodgates opened. And in 2004 they put up a big Memorial To The Murdered Jews Of Europe in the heart of Berlin replete with stone slabs that look like coffins symbolizing each Jew who was “callously murdered by those civilized savages.” But whatever else happened to the infamous Jews of Europe they got off light. But now they have another maudlin monument in the works; for once you go down the road of worshipping the Jews there will be no end of it.
“The German government on Tuesday (August 29 2023) presented plans for a German-Polish House in Berlin to serve as a memorial to Polish and Jewish victims of World War II and detail Germany's brutal occupation of its neighbor between 1939 and 1945. Germany will construct a German-Polish House in Berlin to serve as a national memorial to commemorate three million Polish Jews who died in the Holocaust.”
If you had a dime for every time you heard a sentence like that, eh? They’re a dime a dozen and they keep on barreling down the pike. It’s a round the clock task in Germany, no sooner have the doors opened on the latest Jewish memory atrocity in Berlin than the lawmakers put their brainwashed heads together and begin hatching the next; it will be a never ending series until the place will become so jammed and chock full of them that they will have to either put the memorials within the already existing memorial or Nero-like decimate the buildings of the city to find some more room; eventually it will not be Germania on that spot but Jewville, and every other building if not every last one will be a structural panegyric to the criminal tribe, and the tourist guides to the Jews houses of public worship will be thicker than those old phone books. Indeed one will walk on a city street made up entirely of those stumbling stones, and you can spend all day on one block and see the entire panoramic of Jew anguish and pain and know that tomorrow will be the next block—and more of the same.
“The planned attraction will show everyday life under Germany's six years of occupation terror and the Polish citizens' armed resistance, including the Warsaw Ghetto Uprising by Jews in 1943 and the Warsaw Uprising in 1944. The new development was announced by German Culture Minister Claudia Roth on Monday. The Culture Ministry said it would become a memorial with a striking artistic element. The planned German-Polish House will commemorate Poland's suffering between 1939 and 1945, and the violent deaths of more than 5 million Polish citizens, including some 3 million Jewish children, women and men. Roth said the planned memorial is expected to be located at the former Kroll Opera, near the German Reichstag parliament building.”
You would think that a German Culture minister might have something to do with German culture but if you thought that you thought wrong. German culture is on the outs and verboten; even the faintest whiff of it makes them clutch their pearls and reach for their fans and their smelling salts. Their minds reel at the slightest touch or hint of it. German culture was what led to the killing of the Jews in the first place, at least according to their iconography. Those Camp Commandants and those desk killers once whistled Wagner as they worked, they hummed Ludvig Van and thrilled to the crescendo of the Ninth as they saw those wafts of smoke ascend heavenward (Friend!), and more than likely they dreamed of Mozart as they slept the sleep of the just after a hard day’s work burning Jews to a crisp. Indeed they wonder infamously how the country of thinkers and poets (denkers and dichters) became a nation of monsters and psychopaths. After Auschwitz they said there could be no poetry; and in her middling essay Fascinating Fascism Susan (the White race is the caner of the world) Sontag took Riefensthal to task for her worship of perfect forms; that German culture of the 19th century bestrode (and bestrides) the world like a colossus is the conundrum for the Jews: how could such a refined people end up killing them; how do you read Goethe and Holderlin at night and watch the earth roil with fermenting Jews by day? Of course they are looking at this through the wrong end of the telescope: it’s only a people with this striking artistic element that would. Indeed once you’ve done the research you see that one presupposes the other.
“The plans were first mandated three years ago by the German Parliament in a resolution approved by most political parties. The resolution called on the German government to create a place in a prominent location in Berlin that, in the context of the special German-Polish relationship, is dedicated to the Polish and Jewish victims of World War II and the Nazi occupation of Poland. The planning and building of the German-Polish House will take several years, officials said.”
They have time; they want to do it right. They want that striking artistic element which will be a garish box of glass and statues of twisted bodies and mounds or hair and shoes. They will put it up right in the heart of Berlin where they once did a lot more than Whistle Wagner. But the Jews cajoled the Americans into bombing it and then the Jews coaxed the Americans to demolish it; what a coincidence; now lo these many years later they can put up their new Jew monument right there. Right here next to where they make the laws, just like in England, so they can dutifully pass it by and remember the Jews as they legislate.
“The knowledge about the suffering of the Poles and Jews under German occupation, the knowledge about the millions killed, murdered, is far too often missing in Germany and in Europe, especially also among the younger generation, Roth said, according to German news agency dpa. But precisely this knowledge is the prerequisite for developing an emphatic, dignified remembrance of the victim. The planned German-Polish House will commemorate Poland’s suffering between 1939 and 1945, and the violent deaths of more than 5 million Polish citizens, including some 3 million Jewish children, women and men, according to the concept.”
National Vanguard commenter Lucy speaks of the anti-German brainwash every Pole is subjected to and this monstrosity is part and parcel of that; and the idea that somehow “knowledge of nazi horrors” are missing from the standard mindset in Europe is a true howler. If there is one thing the average European knows, and it’s often the only thing they know, it’s that the Germans back then scaled the Alps of Evil, put all past evil in the shade, and set the standard salutary warning for what never again to do in the future. Indeed, the anti-National Socialist philosophy is the philosophy of the age, an age bereft of philosophy. In lieu of real education and real teaching, they concoct an ersatz world view based on a tissue of lies against life. And whenever life and the living threaten to remerge (as they always will) they conjure up out of their backsides a brand-new memorial dedicated to quelling it. Once more the big articles touting it, once more the politicians approving it, once more the money spent building it, once more the grand opening in solemn and hushed tones. And then the millions are ushered in to traipse through, and they get to see the standard issue off the rack images which are patented and trademarked: poor Shlomo on the train, his poor wife Sarah looking bewildered, the Jews in that clichéd ditch, the fake crematoria, and the bodies piled high and the emaciated figures peering through barbed wire. One would have to have an awfully hard heart not to burst out laughing at such puerile pictures, but the Jew take it oh so seriously. You see for them this is their stock in trade and their money in the bank. And without these implausible and highly perishable stories and images they would have to wander the earth in search of a home forever. And when that banner day occurs there can once more be poetry again.
