A Jewish Tale
Posted: Tue Jun 13, 2023 9:14 pm
Douglas Mercer
June 13 2023
The movie is called The Last but it means The Last Nazi. Not the last National Socialist but the last Nazi, that’s the Jews’ preferred term of anathema. This film is Jew run propaganda but with a twist. For a shockingly long time the movie gives the “Nazi” her due. Ok, not her due, her due would be some argumentative kill shots, but still it’s something. But despite portraying the German as the protagonist of the movie, and making her sympathetic and interesting, and giving her the best lines, in the end the Jew is a Jew. And you see why they made this movie. To put out more celluloid Jewish propaganda. The momentary pause before the ideological Jewish triumph for them just makes it all the more Jewish.
The movie begins in the most disgusting fashion possible. A young and healthy and beautiful White girl has converted to Judaism. And she hasn’t just converted. She is in love with it. For nearly a half an interminable hour she waxes on and on about how beautiful the Jew religion is, how much she loves it, and how excited she is to be a Jew. The long scene comprises a sickening love letter to the Hebrews. She is getting married to a Jew but she’d convert without that. In fact she out Jews the Jews in her love of all things Jew. This is a White girl who should be marrying a White man and making White babies. Instead we get long soliloquy after long soliloquy about how she has found a home among the Israelites. Truly disgusting, as stated.
Then comes the hook. The White girl turned Jew is on the beach with her future Jew husband and they see his “bubbe” that is his 92 year old Jewish great grandmother approach. They sit down and in the course of a long conversation she drops the bomb on them. She is dying of cancer and is going to go to Oregon in a week to commit euthanasia with the help of a euthanasia specialist. But that’s not the bomb, far from it—it’s not the lede. She tells them that she has been an imposter all these years: she is not the sweet Jewish grandmother eating bagels with schmear and playing mahjong, no, far from it. She is not a Jew, she is a German. And what is more she was a Nazi. And what is more she worked at Auschwitz. She shows them pictures to prove it. Why, she likely ate at the camp mess with the Mengele, the Angel Of Death. What’s a Jew to do?
Suffice to say the couple is dumbfounded at this discovery. When she is done the man immediately goes on the offensive, and says his great grandmother should be taken to Nuremberg (if that’s still around!) like that guy from Ohio or that Secretary Of Death; or short of that to Israel or the Hague and tried on war crimes charges. She should be the lady in the glass booth. Presumably he thinks she should be executed. He has just found out that he is not a Jew after all and he is bewildered (it turns out his real great grandfather was also a German who worked at the camp). Most normal people would be exhilarated at the discovery that they have no Jewish blood but to him it’s the worst thing imaginable. The woman’s reaction is quite different. She says that they should all go with the great-grandmother to Norway and commune with the Vikings until she dies of her cancer. Apparently she wants her to be able to pass away among memories of her people.
What a plot twist! They found out that their Jewish great granny is not a bubbe, is not a member of the International Tribe, but one of Hitler’s minions. And what’s more she is an unrepentant Nazi. Of course you can imagine their chagrin.
During the long conversation after this startling revelation the Jews make their limited hang out: giving the German the best lines. The great grandmother begins to speak in lyrical German and remarks that it is such a beautiful language and such a pleasure to speak it freely once again. She uses the word “homeland” and speaks of the time during and before the war when it was still acceptable to use that word. When inevitably the word Holocaust makes it appearance she has a look of scorn and says she hates that term, that it is an abuse of the English language; she says that though it might have taken several minutes for someone to die from Zyklon B tens of thousands of German girls were gang raped for days; her contention regarding the Jews was that “it was war” that the Jews were strong, strong in science and medicine, and thus were like any other combatant. She suggests that the post war story of Jewish victimhood is only half the story and that there are “two sides” to every story. She laments that “it’s always the Jews, that everything is about the Jews.” All in all this is not halfway bad for a mainstream movie but you know that in the background the Jews have something cooking up their sleeves.
***
Next the scene moves to the parents of the man; his mother (the Nazi’s granddaughter) is distraught at the news that she is not a Jew; her husband is the snarky skeptic and agnostic and is also a writer or graphic novels. We learn that he is already planning a comic book novel starring the great grandmother as a superhero/supervillain, noting that not everyone has a mass murderer in their family and he intends to milk it for “reparations.” His planned plot line somehow involves Amerindians in America and Muslims in Europe, two typical Jewish concerns. At one point the man (the husband to be of of the Jew convert) asks the great grandmother if she ever saw “him.” By him it is understood that he means Adolf Hitler. Whereupon the great grandmother beams and launches into a lyrical memory of when she was a young girl and saw Hitler speak from a balcony. She notes that it was night and the plaza was lit up and it looked liked “fireflies” so beautiful was the scene. She is in raptures as she says that what she remembers most was that Hitler said he wanted peace but in order to attain that Germany had to be strong. In another exchange she says that Germany lost the First World War because at first there was money for the war and then all of a sudden there was not, and she blames the Jew for this. The woman says that the Jews did not cause Germany to lose that war; this statement goes unchallenged.
***
The trip to Oregon is now on, it’s a Nazi getting euthanized, get it? The woman (the Jew convert) is going with her; before the woman leaves the man (who has found out to his horror that his blood is White) tells his Jew wife to be that he is going to get re-circumcised so as to make it official: he’s an idiot. On the way to the hotel where her personal “final solution” is going to take place, the great grandmother has a nervous breakdown, this is in order to make her look weak and pathetic. Once in the hotel room the euthanasia specialist arrives and it is revealed that the woman wants to have “five or six” children who, even though their bloodlines will be White, will be raised strictly Jewish. A Nazi is going to die,
a large brood of Jews be born, get it? They are laying it on thick at this point, a lot of butter on the toast, but it will get even more obvious that they want to bludgeon you over the head with their Kosher message, despite those good words or two about our Uncle. The woman then places a necklace with a crucifix on it around the great-grandmother’s neck in order to make the symbolism even more patent, at this point they might as well run a crawl that says Nazis bad over and over.
Now they are ready to begin the dying process but then a funny thing happens. A deux ex machine plot device has the euthanasia specialist leave the room; and then slowly the woman starts to hear sounds, a ringing in her ear, a buzzing, and we soon learn that it is the sound of marching, and we soon see that it is the sound of jackboots marching (Germans). The marching jackboot sound grows louder and louder until she is nearly driven mad. She then gets up and goes to the outside patio, and lures the great grandmother out with her. We hear her say “you are such a coward” then we hear the great grandmother say “I don’t want to die”—then screams. Though we don’t see it it is apparent that the woman (who had been sympathetic to the Nazi) has strangled her, by putting (wait for it) her Jewish hands around the neck, that neck that has the cross necklace. The camera then stays on the empty bed and we hear (no, really, they went there) the sounds of Adolf Hitler giving one of those speeches where his passionate and fervent voice rises to crescendo upon crescendo, and never lets up until the world is alight. The speech goes on for over a minute so the viewer can contemplate German evil.
***
A final scene shows the man escorting the woman from the Police Department the next day; it’s unclear what happened but the hint is she will not be prosecuted. The Jews play a dangerous game but this one is not that dangerous, they give you the message in bold letters. The White girl turned Jew who had been understanding of the “Nazi” in the end has new ancestral memories flood her brain with marching Nazis; then they capstone it with what they take to be the evil sine qua non: Adolf Hitler shouting. Apparently, she has lost all thought of an appropriate Viking funeral. No longer does she envision her husband's bubbe in Vallhalla; now it's the darkest pit of hell. Now she only seeks revenge for the infamous six million. Why, even the great grandmother is played not by a German actress but by a Jew, and no less a Jew than the sister of American Creed spouting open border zealot Ben Wattenberg (real name Joseph Ben Zion Wattenberg). Who says these Jews aren’t incestuously tightly networked? No, whatever detour they make into White people defending themselves, this celluloid rot has that Kosher seal of approval, is Hebrew condoned. They want to leave you in no doubt about who the good guys are and who is the heavy. And the last image we have is a White couple about to be married who will raise Jewish children. After all don’t they say that every Jewish child born is yet another defeat of Hitler? And when it’s half a dozen White kids who have been indoctrinated to be besotted with kike love, and to revel in their kikeness, the defeat is all the more grave.
June 13 2023
The movie is called The Last but it means The Last Nazi. Not the last National Socialist but the last Nazi, that’s the Jews’ preferred term of anathema. This film is Jew run propaganda but with a twist. For a shockingly long time the movie gives the “Nazi” her due. Ok, not her due, her due would be some argumentative kill shots, but still it’s something. But despite portraying the German as the protagonist of the movie, and making her sympathetic and interesting, and giving her the best lines, in the end the Jew is a Jew. And you see why they made this movie. To put out more celluloid Jewish propaganda. The momentary pause before the ideological Jewish triumph for them just makes it all the more Jewish.
The movie begins in the most disgusting fashion possible. A young and healthy and beautiful White girl has converted to Judaism. And she hasn’t just converted. She is in love with it. For nearly a half an interminable hour she waxes on and on about how beautiful the Jew religion is, how much she loves it, and how excited she is to be a Jew. The long scene comprises a sickening love letter to the Hebrews. She is getting married to a Jew but she’d convert without that. In fact she out Jews the Jews in her love of all things Jew. This is a White girl who should be marrying a White man and making White babies. Instead we get long soliloquy after long soliloquy about how she has found a home among the Israelites. Truly disgusting, as stated.
Then comes the hook. The White girl turned Jew is on the beach with her future Jew husband and they see his “bubbe” that is his 92 year old Jewish great grandmother approach. They sit down and in the course of a long conversation she drops the bomb on them. She is dying of cancer and is going to go to Oregon in a week to commit euthanasia with the help of a euthanasia specialist. But that’s not the bomb, far from it—it’s not the lede. She tells them that she has been an imposter all these years: she is not the sweet Jewish grandmother eating bagels with schmear and playing mahjong, no, far from it. She is not a Jew, she is a German. And what is more she was a Nazi. And what is more she worked at Auschwitz. She shows them pictures to prove it. Why, she likely ate at the camp mess with the Mengele, the Angel Of Death. What’s a Jew to do?
Suffice to say the couple is dumbfounded at this discovery. When she is done the man immediately goes on the offensive, and says his great grandmother should be taken to Nuremberg (if that’s still around!) like that guy from Ohio or that Secretary Of Death; or short of that to Israel or the Hague and tried on war crimes charges. She should be the lady in the glass booth. Presumably he thinks she should be executed. He has just found out that he is not a Jew after all and he is bewildered (it turns out his real great grandfather was also a German who worked at the camp). Most normal people would be exhilarated at the discovery that they have no Jewish blood but to him it’s the worst thing imaginable. The woman’s reaction is quite different. She says that they should all go with the great-grandmother to Norway and commune with the Vikings until she dies of her cancer. Apparently she wants her to be able to pass away among memories of her people.
What a plot twist! They found out that their Jewish great granny is not a bubbe, is not a member of the International Tribe, but one of Hitler’s minions. And what’s more she is an unrepentant Nazi. Of course you can imagine their chagrin.
During the long conversation after this startling revelation the Jews make their limited hang out: giving the German the best lines. The great grandmother begins to speak in lyrical German and remarks that it is such a beautiful language and such a pleasure to speak it freely once again. She uses the word “homeland” and speaks of the time during and before the war when it was still acceptable to use that word. When inevitably the word Holocaust makes it appearance she has a look of scorn and says she hates that term, that it is an abuse of the English language; she says that though it might have taken several minutes for someone to die from Zyklon B tens of thousands of German girls were gang raped for days; her contention regarding the Jews was that “it was war” that the Jews were strong, strong in science and medicine, and thus were like any other combatant. She suggests that the post war story of Jewish victimhood is only half the story and that there are “two sides” to every story. She laments that “it’s always the Jews, that everything is about the Jews.” All in all this is not halfway bad for a mainstream movie but you know that in the background the Jews have something cooking up their sleeves.
***
Next the scene moves to the parents of the man; his mother (the Nazi’s granddaughter) is distraught at the news that she is not a Jew; her husband is the snarky skeptic and agnostic and is also a writer or graphic novels. We learn that he is already planning a comic book novel starring the great grandmother as a superhero/supervillain, noting that not everyone has a mass murderer in their family and he intends to milk it for “reparations.” His planned plot line somehow involves Amerindians in America and Muslims in Europe, two typical Jewish concerns. At one point the man (the husband to be of of the Jew convert) asks the great grandmother if she ever saw “him.” By him it is understood that he means Adolf Hitler. Whereupon the great grandmother beams and launches into a lyrical memory of when she was a young girl and saw Hitler speak from a balcony. She notes that it was night and the plaza was lit up and it looked liked “fireflies” so beautiful was the scene. She is in raptures as she says that what she remembers most was that Hitler said he wanted peace but in order to attain that Germany had to be strong. In another exchange she says that Germany lost the First World War because at first there was money for the war and then all of a sudden there was not, and she blames the Jew for this. The woman says that the Jews did not cause Germany to lose that war; this statement goes unchallenged.
***
The trip to Oregon is now on, it’s a Nazi getting euthanized, get it? The woman (the Jew convert) is going with her; before the woman leaves the man (who has found out to his horror that his blood is White) tells his Jew wife to be that he is going to get re-circumcised so as to make it official: he’s an idiot. On the way to the hotel where her personal “final solution” is going to take place, the great grandmother has a nervous breakdown, this is in order to make her look weak and pathetic. Once in the hotel room the euthanasia specialist arrives and it is revealed that the woman wants to have “five or six” children who, even though their bloodlines will be White, will be raised strictly Jewish. A Nazi is going to die,
a large brood of Jews be born, get it? They are laying it on thick at this point, a lot of butter on the toast, but it will get even more obvious that they want to bludgeon you over the head with their Kosher message, despite those good words or two about our Uncle. The woman then places a necklace with a crucifix on it around the great-grandmother’s neck in order to make the symbolism even more patent, at this point they might as well run a crawl that says Nazis bad over and over.
Now they are ready to begin the dying process but then a funny thing happens. A deux ex machine plot device has the euthanasia specialist leave the room; and then slowly the woman starts to hear sounds, a ringing in her ear, a buzzing, and we soon learn that it is the sound of marching, and we soon see that it is the sound of jackboots marching (Germans). The marching jackboot sound grows louder and louder until she is nearly driven mad. She then gets up and goes to the outside patio, and lures the great grandmother out with her. We hear her say “you are such a coward” then we hear the great grandmother say “I don’t want to die”—then screams. Though we don’t see it it is apparent that the woman (who had been sympathetic to the Nazi) has strangled her, by putting (wait for it) her Jewish hands around the neck, that neck that has the cross necklace. The camera then stays on the empty bed and we hear (no, really, they went there) the sounds of Adolf Hitler giving one of those speeches where his passionate and fervent voice rises to crescendo upon crescendo, and never lets up until the world is alight. The speech goes on for over a minute so the viewer can contemplate German evil.
***
A final scene shows the man escorting the woman from the Police Department the next day; it’s unclear what happened but the hint is she will not be prosecuted. The Jews play a dangerous game but this one is not that dangerous, they give you the message in bold letters. The White girl turned Jew who had been understanding of the “Nazi” in the end has new ancestral memories flood her brain with marching Nazis; then they capstone it with what they take to be the evil sine qua non: Adolf Hitler shouting. Apparently, she has lost all thought of an appropriate Viking funeral. No longer does she envision her husband's bubbe in Vallhalla; now it's the darkest pit of hell. Now she only seeks revenge for the infamous six million. Why, even the great grandmother is played not by a German actress but by a Jew, and no less a Jew than the sister of American Creed spouting open border zealot Ben Wattenberg (real name Joseph Ben Zion Wattenberg). Who says these Jews aren’t incestuously tightly networked? No, whatever detour they make into White people defending themselves, this celluloid rot has that Kosher seal of approval, is Hebrew condoned. They want to leave you in no doubt about who the good guys are and who is the heavy. And the last image we have is a White couple about to be married who will raise Jewish children. After all don’t they say that every Jewish child born is yet another defeat of Hitler? And when it’s half a dozen White kids who have been indoctrinated to be besotted with kike love, and to revel in their kikeness, the defeat is all the more grave.
