Darkie On The Moon
Posted: Tue May 02, 2023 8:08 pm
Douglas Mercer
May 2 2023
Blacks have no future, it’s not so much that they are an evolutionary cul-de-sac but an evolutionary U Turn, not a regression to the mean (not even close) but a steep descent straight backwards into the antediluvian primordial ooze. You can see this clearly when you see them in their natural habitat, clad in soccer jerseys and oversized shorts, looking so relaxed they might fall over dead asleep at any moment, they stand amidst the debris and detritus of a favela-cum-shanty town, what we in the decent and civilized White world would call a dump. Very possibly one of them is sitting atop a burnt out and collapsed car, its tires gone no doubt having been used to burn in one of their periodic chimp outs when they vent their uncontainable aggression due to the fact that the White man has not given them more. This is the negro, this always has been the negro, and this always will be the negro. Sure, some of them put on suits and go to offices, but somewhere inside them is a longing and a lust to be sitting on that pile of junk and while away the long hours doing nothing. After all you can dress a chimpanzee in a tuxedo but that will never make him a man.
Which is why it’s intensely ironic (and really just downright stupid) that the once august Smithsonian Institution is now trafficking in farce and travesty. In something with a high sounding name but which is really just the negro museum, they now have a show about the black imagination in technical marvels. But when it comes to technical marvels all the blacks have is their imagination, when it comes to stone cold reality their sister is getting bit by a rat while the White man strides the moon. The exhibit (if that is not too highfalutin a thing to call such trash) is Afrofuturism and if they were honest they’d have vast spaces of emptiness and bare walls because the black man has no future other than crime, welfare, reparations, sitting on stoop, and drinking himself into oblivion. But were you to believe the “good people” who put on this garbage you’d think that it was those two black women who did the diagrams that vaulted us through space, and it won’t be long before those rickety kids in Haiti grow up, put on those clean white lab coats, rattle around with the beaker and the Bunsen burners, and out of a witches brew stirred with albino bones present the world with bona fide cold fusion.
Deys be inventin’shit—sheeeeiiiiittt…………
And if you close your eyes for too long don’t be surprised if when you open them they have a darkie on the moon.
***
Just when you think you’ve heard everything you see a well publicized show called Afrofuturism, at first you scratch your head and wonder what it could be, as all the data and research demonstrates that the black has no future, unless it is as parasites on White societies who foolishly prop them up. But all the studies show that the blacks, far from being dejected that they got squashed and thumped in the genetic sweepstakes, have uniformly and preposterously sky high self-esteem. It’s as if the glaring reality of their ineptitude is far too much for them to bear and if accepted would cause irreparable psychic damage. So as a defense mechanism they tell themselves and the world that it was really they who put up the Seven Wonders Of The World. It was they way back when who had aqueducts and indoor plumbing, and marble statues, and built structures in the sea that would outlast Portland cement. This of course is not to mention the secret flying vessels their long lost ancestors had stowed away in the jungle under canopies, before the imperial White man came along and took their patents and covered up the theft.
“Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences.”
No, afrofuturism (so-called) is a joke and a particularly bad one. There is certainly no philosophy or science behind it and the history is fabricated. From what I can glean from an admittedly cursory review it basically consists of gaudily colored images of negros sporting space helmets, odd headgear, with stars and flying saucers in the background, or maybe some wraparound eye gear like that blind black guy wore on Star Trek, played by the guy who was Kunta Kinte. There might be woven in to the images some Kente cloth colors, a raised black fist, and some astral motifs, but that’s really it. And on the “strength” of this they have kitted out an entire ideology of Black Power based on We Wuz And Will Be Kangz propaganda.
***
“A new exhibition titled Afrofuturism: A History of Black Futures will debut at the National Museum of African American History and Culture (NMAAHC) to examine Afrofuturist expression and culture as it relates to music, activism, art, and more. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, outkast, P-Funk and more —this exhibition covers the broad and impactful spectrum of Afrofuturism.”
This museum is a division of the Smithsonian and that Smithsonian guy has to be rolling his grave even as we roll our eyes. First off they have a museum for negros? Do they have the weaves and the empty 40s and the bullet holes in the wall? Do they have videos of blacks attacking Whites on the street? Do they have a solemn gallery of all the Whites murdered by blacks so the blacks can come in, remove their Africa motif headgear, kneel, and seek forgiveness? Do they have pictures of what cities created by Whites looked liked before and after negros arrived? No, none of that. Rather they celebrate the “culture” of blacks such as it is which from the looks of it seems to consist mostly of failed and has been pop musical groups and awed negros peering up to the heavens which they can never understand.
“Afrofuturism is the reframing and reimagining of the past, present, and future through a global Black lens. A multi-media movement rooted in issues of social justice and equity, it centers African and African American contributions to the advancement of science, technology, and culture and is often explored through music, art, and literature.”
And in this time of negro worship no one in authority has the giblets to tell the negros no, so they just go along with the charade and pretend to believe (some of them probably do believe) that it was the blacks who cracked the atom and found out about the galaxies; otherwise if they were sternly told to cut it with the crap the blacks would chimp out, and as always get the chimp’s veto.
“Afrofuturism: black futures: immerses visitors in a conversation that reimagines, reinterprets and reclaims the past and present for a more empowering future for African American. At the center of the new 4,300-square-foot temporary exhibition set to open next March is Chadwick Boseman’s Black Panther suit, which the late actor wore in the 2018 film Black Panther.”
This tells you all you need to know about the perfervid fantasy life of the blacks and their wishful thinking about their accomplishments. At the very focal point of the exhibit what do they put? Simulacra of real and actual great buildings they produced? Manuscripts of their great literature? Images of the strong, solid and healthy communities they have built? Does the music that came from them that is beautiful and harmonious soothe the mind of those in attendance? Do they have busts of the great statues they have produced? No, they have a half asssed costume that a black wore in a fictional movie. A movie by the way which promotes a false and unrepresentative picture of the blacks of the past, or the blacks of the future. But which, I suppose, goes a long way to allaying black fears that they are the sad sack step child of history which no one wants to adopt. You see it never happened but in their minds it did.
“The exhibit will also include other notable items like Nona Hendryx’s space suit-inspired outfit, and Nichelle Nichols’ Star Trek uniform. According to a press release from NMAAHC, the exhibit also aims to tell stories of Black liberation and social equality through objects such as Trayvon Martin’s flight suit and dreams of becoming an astronaut as a young boy. Trayvon Martin’s flight suit tells the story of a dream of space flight ended tragically by earthbound violence, said Kevin Young, the Andrew W. Mellon Director of the National Museum of African American History and Culture.”
It figures the Mellon people would be involved in this sham, they are the one who coughed up a quarter of a billion dollars (and counting) to make a list of every statue of a White man in America in order to put it on the chopping block. And if anyone doubts the sorry state of negros in this country this bit about Trayvon Martin will dispel any lingering doubt. Apparently the budding criminal went to some aviation show and in order to prop up his ego they let him put on a space suit just like those tuxedos on chimps. Apparently he had not yet committed to a life of crime and said he wanted to be an astronomer, which pipe dream was about as likely to happen as that monkey solving a quadratic equation. Had he lived he would have been an infinite amount more likely to rob a convenience store than work out the arcs and par-ab-olas with the edu-ma-cation he would get. But it’s all lies and shows with them and they want the gulls and dupes to recall the little sweet skittle loving cherub who never did nothing, and get the idea that he was Wernher Braun baby. Hell, the little negro would have been on the moon before you could say Jim Crow.
“Afrofuturism informs dynamic ways of seeing and being across time and space. This upcoming symposium examines the ever-expanding reach of Afrofuturist thought across oceans, into land reclamations, up to the stars, through cyberspace and inward as Black visionaries look to the infinite space within.”
If not for the White man removing them from the jungle the blacks would still be swinging from the trees. They would have been living in a world without time, and without past and without future. Perhaps they would have set up some cargo cult in which they believed it was their ancestors who created the ships and the marvels the White man brought, and they would create out of dung and mud imitations of them and get on their knees and believe in their hearts that it was real. Which means it would not be very different, if different at all, from now. Which is why the “afrofuturism” is so galling and sick. Their future is to live off of us, and a jail cell. Anything more is beyond their reach.
***
Lately flyers have been in the news and self-respecting White men have gone on watch lists for posting them. But it would be a salutary and great idea to post this on the walls of that exhibit they have in Washington DC, just so the truth might not perish:
They never sailed to sea
But built mud huts
But they got darkie on the moon
No pyramids, no science
No Civilization
But they got darkie on the moon
Just crime and destruction
And a lack of remorse
But they got darkie on the moon
Big magic and albino bones
And prayers to the dirt
But they got darkie on the moon
Watch out for the rats
And smell the stench and decay
But they got darkie on the moon
It’s a sad thing that is their own
And how they brag is overblown
Because were it not for the White man
There’s not one chance in hell
There’d ever be a darkie on the moon.
May 2 2023
Blacks have no future, it’s not so much that they are an evolutionary cul-de-sac but an evolutionary U Turn, not a regression to the mean (not even close) but a steep descent straight backwards into the antediluvian primordial ooze. You can see this clearly when you see them in their natural habitat, clad in soccer jerseys and oversized shorts, looking so relaxed they might fall over dead asleep at any moment, they stand amidst the debris and detritus of a favela-cum-shanty town, what we in the decent and civilized White world would call a dump. Very possibly one of them is sitting atop a burnt out and collapsed car, its tires gone no doubt having been used to burn in one of their periodic chimp outs when they vent their uncontainable aggression due to the fact that the White man has not given them more. This is the negro, this always has been the negro, and this always will be the negro. Sure, some of them put on suits and go to offices, but somewhere inside them is a longing and a lust to be sitting on that pile of junk and while away the long hours doing nothing. After all you can dress a chimpanzee in a tuxedo but that will never make him a man.
Which is why it’s intensely ironic (and really just downright stupid) that the once august Smithsonian Institution is now trafficking in farce and travesty. In something with a high sounding name but which is really just the negro museum, they now have a show about the black imagination in technical marvels. But when it comes to technical marvels all the blacks have is their imagination, when it comes to stone cold reality their sister is getting bit by a rat while the White man strides the moon. The exhibit (if that is not too highfalutin a thing to call such trash) is Afrofuturism and if they were honest they’d have vast spaces of emptiness and bare walls because the black man has no future other than crime, welfare, reparations, sitting on stoop, and drinking himself into oblivion. But were you to believe the “good people” who put on this garbage you’d think that it was those two black women who did the diagrams that vaulted us through space, and it won’t be long before those rickety kids in Haiti grow up, put on those clean white lab coats, rattle around with the beaker and the Bunsen burners, and out of a witches brew stirred with albino bones present the world with bona fide cold fusion.
Deys be inventin’shit—sheeeeiiiiittt…………
And if you close your eyes for too long don’t be surprised if when you open them they have a darkie on the moon.
***
Just when you think you’ve heard everything you see a well publicized show called Afrofuturism, at first you scratch your head and wonder what it could be, as all the data and research demonstrates that the black has no future, unless it is as parasites on White societies who foolishly prop them up. But all the studies show that the blacks, far from being dejected that they got squashed and thumped in the genetic sweepstakes, have uniformly and preposterously sky high self-esteem. It’s as if the glaring reality of their ineptitude is far too much for them to bear and if accepted would cause irreparable psychic damage. So as a defense mechanism they tell themselves and the world that it was really they who put up the Seven Wonders Of The World. It was they way back when who had aqueducts and indoor plumbing, and marble statues, and built structures in the sea that would outlast Portland cement. This of course is not to mention the secret flying vessels their long lost ancestors had stowed away in the jungle under canopies, before the imperial White man came along and took their patents and covered up the theft.
“Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences.”
No, afrofuturism (so-called) is a joke and a particularly bad one. There is certainly no philosophy or science behind it and the history is fabricated. From what I can glean from an admittedly cursory review it basically consists of gaudily colored images of negros sporting space helmets, odd headgear, with stars and flying saucers in the background, or maybe some wraparound eye gear like that blind black guy wore on Star Trek, played by the guy who was Kunta Kinte. There might be woven in to the images some Kente cloth colors, a raised black fist, and some astral motifs, but that’s really it. And on the “strength” of this they have kitted out an entire ideology of Black Power based on We Wuz And Will Be Kangz propaganda.
***
“A new exhibition titled Afrofuturism: A History of Black Futures will debut at the National Museum of African American History and Culture (NMAAHC) to examine Afrofuturist expression and culture as it relates to music, activism, art, and more. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, outkast, P-Funk and more —this exhibition covers the broad and impactful spectrum of Afrofuturism.”
This museum is a division of the Smithsonian and that Smithsonian guy has to be rolling his grave even as we roll our eyes. First off they have a museum for negros? Do they have the weaves and the empty 40s and the bullet holes in the wall? Do they have videos of blacks attacking Whites on the street? Do they have a solemn gallery of all the Whites murdered by blacks so the blacks can come in, remove their Africa motif headgear, kneel, and seek forgiveness? Do they have pictures of what cities created by Whites looked liked before and after negros arrived? No, none of that. Rather they celebrate the “culture” of blacks such as it is which from the looks of it seems to consist mostly of failed and has been pop musical groups and awed negros peering up to the heavens which they can never understand.
“Afrofuturism is the reframing and reimagining of the past, present, and future through a global Black lens. A multi-media movement rooted in issues of social justice and equity, it centers African and African American contributions to the advancement of science, technology, and culture and is often explored through music, art, and literature.”
And in this time of negro worship no one in authority has the giblets to tell the negros no, so they just go along with the charade and pretend to believe (some of them probably do believe) that it was the blacks who cracked the atom and found out about the galaxies; otherwise if they were sternly told to cut it with the crap the blacks would chimp out, and as always get the chimp’s veto.
“Afrofuturism: black futures: immerses visitors in a conversation that reimagines, reinterprets and reclaims the past and present for a more empowering future for African American. At the center of the new 4,300-square-foot temporary exhibition set to open next March is Chadwick Boseman’s Black Panther suit, which the late actor wore in the 2018 film Black Panther.”
This tells you all you need to know about the perfervid fantasy life of the blacks and their wishful thinking about their accomplishments. At the very focal point of the exhibit what do they put? Simulacra of real and actual great buildings they produced? Manuscripts of their great literature? Images of the strong, solid and healthy communities they have built? Does the music that came from them that is beautiful and harmonious soothe the mind of those in attendance? Do they have busts of the great statues they have produced? No, they have a half asssed costume that a black wore in a fictional movie. A movie by the way which promotes a false and unrepresentative picture of the blacks of the past, or the blacks of the future. But which, I suppose, goes a long way to allaying black fears that they are the sad sack step child of history which no one wants to adopt. You see it never happened but in their minds it did.
“The exhibit will also include other notable items like Nona Hendryx’s space suit-inspired outfit, and Nichelle Nichols’ Star Trek uniform. According to a press release from NMAAHC, the exhibit also aims to tell stories of Black liberation and social equality through objects such as Trayvon Martin’s flight suit and dreams of becoming an astronaut as a young boy. Trayvon Martin’s flight suit tells the story of a dream of space flight ended tragically by earthbound violence, said Kevin Young, the Andrew W. Mellon Director of the National Museum of African American History and Culture.”
It figures the Mellon people would be involved in this sham, they are the one who coughed up a quarter of a billion dollars (and counting) to make a list of every statue of a White man in America in order to put it on the chopping block. And if anyone doubts the sorry state of negros in this country this bit about Trayvon Martin will dispel any lingering doubt. Apparently the budding criminal went to some aviation show and in order to prop up his ego they let him put on a space suit just like those tuxedos on chimps. Apparently he had not yet committed to a life of crime and said he wanted to be an astronomer, which pipe dream was about as likely to happen as that monkey solving a quadratic equation. Had he lived he would have been an infinite amount more likely to rob a convenience store than work out the arcs and par-ab-olas with the edu-ma-cation he would get. But it’s all lies and shows with them and they want the gulls and dupes to recall the little sweet skittle loving cherub who never did nothing, and get the idea that he was Wernher Braun baby. Hell, the little negro would have been on the moon before you could say Jim Crow.
“Afrofuturism informs dynamic ways of seeing and being across time and space. This upcoming symposium examines the ever-expanding reach of Afrofuturist thought across oceans, into land reclamations, up to the stars, through cyberspace and inward as Black visionaries look to the infinite space within.”
If not for the White man removing them from the jungle the blacks would still be swinging from the trees. They would have been living in a world without time, and without past and without future. Perhaps they would have set up some cargo cult in which they believed it was their ancestors who created the ships and the marvels the White man brought, and they would create out of dung and mud imitations of them and get on their knees and believe in their hearts that it was real. Which means it would not be very different, if different at all, from now. Which is why the “afrofuturism” is so galling and sick. Their future is to live off of us, and a jail cell. Anything more is beyond their reach.
***
Lately flyers have been in the news and self-respecting White men have gone on watch lists for posting them. But it would be a salutary and great idea to post this on the walls of that exhibit they have in Washington DC, just so the truth might not perish:
They never sailed to sea
But built mud huts
But they got darkie on the moon
No pyramids, no science
No Civilization
But they got darkie on the moon
Just crime and destruction
And a lack of remorse
But they got darkie on the moon
Big magic and albino bones
And prayers to the dirt
But they got darkie on the moon
Watch out for the rats
And smell the stench and decay
But they got darkie on the moon
It’s a sad thing that is their own
And how they brag is overblown
Because were it not for the White man
There’s not one chance in hell
There’d ever be a darkie on the moon.
