A Negro Posts A Noose
Posted: Fri Mar 31, 2023 4:39 pm
Douglas Mercer
November 20 2022
In Chicago (this is MAGA country!) there is a so-called artist named Hyero (not Hero mind you but Hyero) who recently got her single minute of fame such as it is. It seems she was having an art show in a few days and knowing that it would be attended only by the homeless and those who showed up strictly for the box wine she put up an image which in our mealy-mouthed and sorry age was guaranteed to stir up some attention. You see across the streets of the windy city she put up a "provocative" image of a noose and the words White Only together, a potent enough cocktail to draw all manner of journalists to the fore, to scare the bejesus out of some liberal White folk, and offend some uppity black folk. You see nothing will stir up the Negros like the image of noose, it reminding them of the time that the kind of rampant crime the negros now get away with was met with uncompromisingly swift reprisals. And the specter of the day when they didn't run around without being regulated is the horror of horrors.
To judge from some horrific pictures on the internet Hyero (if I may call her such) is one of those black ladies for whom they passed that law protecting out of control black hair that looks like a rat's nest. Naturally she also has bulbous lips and an enormous posterior all of which she seems to be inexplicably and inordinately proud of. At some point she realized that the show she was putting on was going to go nowhere as homeless people guzzling your box wine is not the start you want to make to reach the upper reaches of the Chicago Art world (it's not MAGA country after all). So at some point she hit on the idea to come up with the hated image.
The hated image.
Is there any image more designed to elicit loathing and panic than a noose with the words "White Only" next to it.? No, there's not. You could show someone larping as a Confederate soldier freely pissing on Emmett Till's grave and not get the same kind of outraged response. So to garner attention the negro posted a noose. It's what amounts to a career move in today's sad and sorry world.
It's the hated image. And it's hated for a very good reason. It is the symbol sine qua non of a better world, a world of White Supremacy.
"A black artist posted flyers that said 'white only' and depicted a noose, saying they were part of a political act and marketing campaign for her new exhibition."
This is the way to get ahead in the city where red hatted thugs dressed in white sheets carry bleach around and target gay celebrity homosexuals. This is where some Jewish families took a young gay mulatto under their Jewish wings and sent him on his way to desecrate the White House. This is where black criminals roam freely on their murderous rampages but nobody has the courage to make a peep to stop it. This is a city whose major university recently proposed to have a class on the problem of Whiteness. This is no longer the city of broad shoulder when Chicagoans can get alarmed by such a thing.
"Images of the flyers, which have popped up in Boystown and Hyde Park in recent days, went viral online, with some speculating a hate group was to blame and others saying the image angered and upset them. Hyero, the artist behind the flyers, said she makes no apologies for her provocative marketing methods."
What better way to start of those infamous conversations on race than to post this image? Whites Only on a White background with the noose dangling intimidatingly from the bottom of the W. This hits them foursquare in their fear centers and makes them lose all reason and control. Images of ghostly men on horseback swooping in with torches haunt their minds. Pictures of White crowds storming the jails to drag the black man out cause them tremors. The White man supremely in charge and no bones made about it is the very stuff of their nightmares.
"Hyero, 23, of the western suburbs, said the flyers are part of marketing for YTs Only, an art show at OMWP Studios, 2113 W. Armitage Ave. The show opens 7 p.m. Friday and runs throughout the weekend."
YTs only as in Whiteys Only--presumably. How clever. And presumably by being of the Western Suburbs our Hyero lives in the nice part of town and her whole the negro is suffering routine is a put on as it always is. When she goes in to Chicago to post her protest against White Supremacy it's not a cry from the heart of one who has suffered injustice but a cynical ploy of a well-fed "artist" preying on and playing off the outsized guilt of White liberals. It really is symptomatic of the Current Year: negros never had it so good but that won't stop them from screaming about racism and getting the soft hearted and soft headed to cower in fear and jump from anxiety.
Safe to say that the hated and feared image of the noose looms large in present day America. They show up at construction sites for presidential libraries, in NASCAR garages, on campuses, at the Naval Academy, on Little League fields, but the fact of the matter is it's the negro who is keeping the image alive with their hoaxes and their fake palpitations; and thus the whole thing is a racket and scam, they elicit sympathy by bemoaning fake oppression.
We used to give them oppression good and hard, but no longer.
“I really felt like a message really needed to be sent to white communities that Black people can’t just exist for the sake of not being political, said the artist, who declined to provide her name. Being a Black woman and knowing I’m going to be political by default, I decided to use my platform to try to educate and show the white experience through my African-American eyes.”
There is not a thing that White Communities need to know from her; on that score we really are good. She will take the tack that hers is a high-minded endeavor, one to school and educate, educate the Whites on what exactly it is they've done to her historically to allow her to live in a nice part of town and come in to the city to show her mediocre (at best) art to patrons and mavens--and don't forget the homeless.
"Hyero said she understands the flyers could be traumatic for some people, but she sees the noose as a symbol of her disempowerment. The American flag is triggering to her, but it still flies, she said."
Didn't that lady (to use that term as loosely as one can) who is currently being sent to Siberia get triggered by the American flag as well? Perhaps we can arrange that for this Hyero. What she is really triggered by is White people, this negro from the "Western Suburbs" she finds herself surrounded by them all the time and is set off by them. It's traumatic for her, it really is. Where are those guys with the bleach? And didn't they too carry a noose like a calling card?
"Hyero has received strange looks while putting up the flyers, and one Black woman ripped it down — but then wound up helping her after the artist explained her project, she said. The flyers have confused and alarmed others, though. As images of the flyers spread on social media, some worried hate groups are getting too close to home."
Alive at all is too close for comfort for them, these are people who post those hate has no home here signs on their front lawn. The notion that White people with self-respect and racial pride are stalking the land, and may even be in their neighborhood, and even might be posting messages, all of this is too much and sends them reeling in an anxiety spiral. Why, they wonder, do some people have to give hate a home? Why are some people not too busy to hate? Whatever happened to peace, love and, understanding? These are the kinds of people who are traumatized by something as quotidian as the word White and a picture of a noose? These people have been led to believe that White people willing to defend themselves as White people are the greatest threat to their way of life? Not, mind you, the hundreds of thousands of negros who make Chicago a shooting gallery-cum-civilizational pest hole, who have made Chicago a byword for negro dysfunction, not them, no not all. They could never be the perpetrators: they are the victims.
"Some Hyde Park residents were bewildered. Among them was writer Mikki Kendall, who, upon learning the true purpose of the flyer, condemned the artist. Quoth the "writer": Publicity stunts like this hinge on a narrative that the feelings, concerns and fears of Black Chicagoans don’t matter, that we’re somehow supposed to be tough enough not only to ignore our own history but provide cover for people who are too cowardly to return to the towns they are from and confront the people who hurt them on their home turf.
Hard to know with the tortured and harrowing syntax but apparently this writer (of tortured and harrowing syntax) has not got the message that a noose is designed to make liberal Whites uncomfortable and confront their own racism; black are supposed to be in on the scam enough to know the nooses are no longer directed at them. There are no Night Riders marauding to defend White Society, indeed there is not one to defend White Society at all. At least not in the public sphere where we are rendered defenseless.
"Hyero said she simply wants people to focus on her artwork, which she said highlights the strong part of the Black experience, something she’s endeavored to do since high school. The artist grew up in a racist environment in Abington, Pennsylvania, where her high school’s mascot was the Galloping Ghost. Many, including the artist, have identified the ghost as a Klansman. She’s had to defend her art against critics who questioned why she drew Black people."
Really? In this day and age of the Magic Negro, and Negro Worship above all, there are people who are questioning why she draws Negros. I for one refuse to believe it. Certainly there is no one doing such a thing out loud.
“I feel like the story of the suburban Black girl who feels out of place, who feels like a character, is never seen or heard, and she needs her own show, Hyero said. But this show isn’t for Abington, it’s an homage to the Black experience in predominantly White communities. Making this show, I had to go back and educate myself, be concise, make sure I’m telling the story that needs to be told and that no one else is telling it,”
If you scan the code she places on the poster just below the noose you are led to a virtual tour of her exhibition. What you are confronted with is a lot of mediocre (at best) painting of negros. That's her bread and butter or, rather, her collard greens. The negro in the chair; the self-portrait negro; the negro hanging from a tree with blood spurting out of his mouth (called "Strange Fruit"--what else?); the negro with his hands up (don't shoot!) with an I Can't Breathe T-shirt on and the acronym BLM painted all around him; the negro with skittle in his hand and TRAY written on his shirt. The negro the negro the negro.
You get the picture: the negro.
“I want non-Black people to see our pain, not in the way of police brutality or what is portrayed on TV. I want us to actually see and feel our pain. That’s why I put up the flyer. My message really needs to get out, Hyero said."
In the "editorial" on the site the negro artist knowns as Hyero states that she had to paint the negro, she is compelled to paint the negro, that even if she paints a flower it will still represent the torment of her ancestors (presumably at the hands of bad Whites). She said that God could not help but make her an angry black bitch though (we more than suspect) at this point the gods regret this botched creation. And of course her piece de resistance is one that is a collage with the hair of Dylan Roof, the pot belly of a Southern good old boy, and a Confederate Flag. And ever present is that Noose and the words White Only.
What she can't help is pushing the (essentially Jewish) propaganda of the noose. For the noose today is nothing but an image, a hated image, a reviled image to cow White people into submission. Supposedly White people are supposed to see a noose and say: too rich for my blood! I'm out! Supposedly White people are supposed to see a noose and remember the supposedly bad old days when White people (for no reason at all!) went on random killing sprees and strung up negro after negro just for sport. The truth is more salutary of course, and more instructive. The truth is in the seventy years prior to 1950 there were only about 5000 rapes of White women by black men (still 5000 too many); but since then there have been hundreds of thousands; the truth is blacks got lynched for a reason: lynching, in addition to being justice served, was a deterrent. And so White people when they see a noose should not be shamed but proud. Proud that they had ancestors who were not miserable weaklings but hard as steel men who took care of their own.
And remember that when they "found" that noose at the construction site of the most famous negro of all, the Gay Mulatto, they did an anti-bias training for the firm doing the construction at the Presidential Center. And they ponied up 100,000 dollars for anyone who could lead to the culprit of this "shameful act." So far no takers which means it was another hoax. You see for them no noose is not good news, no noose is bad news. But fake noose is good news and is what they trade in. To try to keep the White man from waking up, waking up to his racial destiny.
That destiny?
White Only of course.
November 20 2022
In Chicago (this is MAGA country!) there is a so-called artist named Hyero (not Hero mind you but Hyero) who recently got her single minute of fame such as it is. It seems she was having an art show in a few days and knowing that it would be attended only by the homeless and those who showed up strictly for the box wine she put up an image which in our mealy-mouthed and sorry age was guaranteed to stir up some attention. You see across the streets of the windy city she put up a "provocative" image of a noose and the words White Only together, a potent enough cocktail to draw all manner of journalists to the fore, to scare the bejesus out of some liberal White folk, and offend some uppity black folk. You see nothing will stir up the Negros like the image of noose, it reminding them of the time that the kind of rampant crime the negros now get away with was met with uncompromisingly swift reprisals. And the specter of the day when they didn't run around without being regulated is the horror of horrors.
To judge from some horrific pictures on the internet Hyero (if I may call her such) is one of those black ladies for whom they passed that law protecting out of control black hair that looks like a rat's nest. Naturally she also has bulbous lips and an enormous posterior all of which she seems to be inexplicably and inordinately proud of. At some point she realized that the show she was putting on was going to go nowhere as homeless people guzzling your box wine is not the start you want to make to reach the upper reaches of the Chicago Art world (it's not MAGA country after all). So at some point she hit on the idea to come up with the hated image.
The hated image.
Is there any image more designed to elicit loathing and panic than a noose with the words "White Only" next to it.? No, there's not. You could show someone larping as a Confederate soldier freely pissing on Emmett Till's grave and not get the same kind of outraged response. So to garner attention the negro posted a noose. It's what amounts to a career move in today's sad and sorry world.
It's the hated image. And it's hated for a very good reason. It is the symbol sine qua non of a better world, a world of White Supremacy.
"A black artist posted flyers that said 'white only' and depicted a noose, saying they were part of a political act and marketing campaign for her new exhibition."
This is the way to get ahead in the city where red hatted thugs dressed in white sheets carry bleach around and target gay celebrity homosexuals. This is where some Jewish families took a young gay mulatto under their Jewish wings and sent him on his way to desecrate the White House. This is where black criminals roam freely on their murderous rampages but nobody has the courage to make a peep to stop it. This is a city whose major university recently proposed to have a class on the problem of Whiteness. This is no longer the city of broad shoulder when Chicagoans can get alarmed by such a thing.
"Images of the flyers, which have popped up in Boystown and Hyde Park in recent days, went viral online, with some speculating a hate group was to blame and others saying the image angered and upset them. Hyero, the artist behind the flyers, said she makes no apologies for her provocative marketing methods."
What better way to start of those infamous conversations on race than to post this image? Whites Only on a White background with the noose dangling intimidatingly from the bottom of the W. This hits them foursquare in their fear centers and makes them lose all reason and control. Images of ghostly men on horseback swooping in with torches haunt their minds. Pictures of White crowds storming the jails to drag the black man out cause them tremors. The White man supremely in charge and no bones made about it is the very stuff of their nightmares.
"Hyero, 23, of the western suburbs, said the flyers are part of marketing for YTs Only, an art show at OMWP Studios, 2113 W. Armitage Ave. The show opens 7 p.m. Friday and runs throughout the weekend."
YTs only as in Whiteys Only--presumably. How clever. And presumably by being of the Western Suburbs our Hyero lives in the nice part of town and her whole the negro is suffering routine is a put on as it always is. When she goes in to Chicago to post her protest against White Supremacy it's not a cry from the heart of one who has suffered injustice but a cynical ploy of a well-fed "artist" preying on and playing off the outsized guilt of White liberals. It really is symptomatic of the Current Year: negros never had it so good but that won't stop them from screaming about racism and getting the soft hearted and soft headed to cower in fear and jump from anxiety.
Safe to say that the hated and feared image of the noose looms large in present day America. They show up at construction sites for presidential libraries, in NASCAR garages, on campuses, at the Naval Academy, on Little League fields, but the fact of the matter is it's the negro who is keeping the image alive with their hoaxes and their fake palpitations; and thus the whole thing is a racket and scam, they elicit sympathy by bemoaning fake oppression.
We used to give them oppression good and hard, but no longer.
“I really felt like a message really needed to be sent to white communities that Black people can’t just exist for the sake of not being political, said the artist, who declined to provide her name. Being a Black woman and knowing I’m going to be political by default, I decided to use my platform to try to educate and show the white experience through my African-American eyes.”
There is not a thing that White Communities need to know from her; on that score we really are good. She will take the tack that hers is a high-minded endeavor, one to school and educate, educate the Whites on what exactly it is they've done to her historically to allow her to live in a nice part of town and come in to the city to show her mediocre (at best) art to patrons and mavens--and don't forget the homeless.
"Hyero said she understands the flyers could be traumatic for some people, but she sees the noose as a symbol of her disempowerment. The American flag is triggering to her, but it still flies, she said."
Didn't that lady (to use that term as loosely as one can) who is currently being sent to Siberia get triggered by the American flag as well? Perhaps we can arrange that for this Hyero. What she is really triggered by is White people, this negro from the "Western Suburbs" she finds herself surrounded by them all the time and is set off by them. It's traumatic for her, it really is. Where are those guys with the bleach? And didn't they too carry a noose like a calling card?
"Hyero has received strange looks while putting up the flyers, and one Black woman ripped it down — but then wound up helping her after the artist explained her project, she said. The flyers have confused and alarmed others, though. As images of the flyers spread on social media, some worried hate groups are getting too close to home."
Alive at all is too close for comfort for them, these are people who post those hate has no home here signs on their front lawn. The notion that White people with self-respect and racial pride are stalking the land, and may even be in their neighborhood, and even might be posting messages, all of this is too much and sends them reeling in an anxiety spiral. Why, they wonder, do some people have to give hate a home? Why are some people not too busy to hate? Whatever happened to peace, love and, understanding? These are the kinds of people who are traumatized by something as quotidian as the word White and a picture of a noose? These people have been led to believe that White people willing to defend themselves as White people are the greatest threat to their way of life? Not, mind you, the hundreds of thousands of negros who make Chicago a shooting gallery-cum-civilizational pest hole, who have made Chicago a byword for negro dysfunction, not them, no not all. They could never be the perpetrators: they are the victims.
"Some Hyde Park residents were bewildered. Among them was writer Mikki Kendall, who, upon learning the true purpose of the flyer, condemned the artist. Quoth the "writer": Publicity stunts like this hinge on a narrative that the feelings, concerns and fears of Black Chicagoans don’t matter, that we’re somehow supposed to be tough enough not only to ignore our own history but provide cover for people who are too cowardly to return to the towns they are from and confront the people who hurt them on their home turf.
Hard to know with the tortured and harrowing syntax but apparently this writer (of tortured and harrowing syntax) has not got the message that a noose is designed to make liberal Whites uncomfortable and confront their own racism; black are supposed to be in on the scam enough to know the nooses are no longer directed at them. There are no Night Riders marauding to defend White Society, indeed there is not one to defend White Society at all. At least not in the public sphere where we are rendered defenseless.
"Hyero said she simply wants people to focus on her artwork, which she said highlights the strong part of the Black experience, something she’s endeavored to do since high school. The artist grew up in a racist environment in Abington, Pennsylvania, where her high school’s mascot was the Galloping Ghost. Many, including the artist, have identified the ghost as a Klansman. She’s had to defend her art against critics who questioned why she drew Black people."
Really? In this day and age of the Magic Negro, and Negro Worship above all, there are people who are questioning why she draws Negros. I for one refuse to believe it. Certainly there is no one doing such a thing out loud.
“I feel like the story of the suburban Black girl who feels out of place, who feels like a character, is never seen or heard, and she needs her own show, Hyero said. But this show isn’t for Abington, it’s an homage to the Black experience in predominantly White communities. Making this show, I had to go back and educate myself, be concise, make sure I’m telling the story that needs to be told and that no one else is telling it,”
If you scan the code she places on the poster just below the noose you are led to a virtual tour of her exhibition. What you are confronted with is a lot of mediocre (at best) painting of negros. That's her bread and butter or, rather, her collard greens. The negro in the chair; the self-portrait negro; the negro hanging from a tree with blood spurting out of his mouth (called "Strange Fruit"--what else?); the negro with his hands up (don't shoot!) with an I Can't Breathe T-shirt on and the acronym BLM painted all around him; the negro with skittle in his hand and TRAY written on his shirt. The negro the negro the negro.
You get the picture: the negro.
“I want non-Black people to see our pain, not in the way of police brutality or what is portrayed on TV. I want us to actually see and feel our pain. That’s why I put up the flyer. My message really needs to get out, Hyero said."
In the "editorial" on the site the negro artist knowns as Hyero states that she had to paint the negro, she is compelled to paint the negro, that even if she paints a flower it will still represent the torment of her ancestors (presumably at the hands of bad Whites). She said that God could not help but make her an angry black bitch though (we more than suspect) at this point the gods regret this botched creation. And of course her piece de resistance is one that is a collage with the hair of Dylan Roof, the pot belly of a Southern good old boy, and a Confederate Flag. And ever present is that Noose and the words White Only.
What she can't help is pushing the (essentially Jewish) propaganda of the noose. For the noose today is nothing but an image, a hated image, a reviled image to cow White people into submission. Supposedly White people are supposed to see a noose and say: too rich for my blood! I'm out! Supposedly White people are supposed to see a noose and remember the supposedly bad old days when White people (for no reason at all!) went on random killing sprees and strung up negro after negro just for sport. The truth is more salutary of course, and more instructive. The truth is in the seventy years prior to 1950 there were only about 5000 rapes of White women by black men (still 5000 too many); but since then there have been hundreds of thousands; the truth is blacks got lynched for a reason: lynching, in addition to being justice served, was a deterrent. And so White people when they see a noose should not be shamed but proud. Proud that they had ancestors who were not miserable weaklings but hard as steel men who took care of their own.
And remember that when they "found" that noose at the construction site of the most famous negro of all, the Gay Mulatto, they did an anti-bias training for the firm doing the construction at the Presidential Center. And they ponied up 100,000 dollars for anyone who could lead to the culprit of this "shameful act." So far no takers which means it was another hoax. You see for them no noose is not good news, no noose is bad news. But fake noose is good news and is what they trade in. To try to keep the White man from waking up, waking up to his racial destiny.
That destiny?
White Only of course.
