Douglas Mercer
October 1 2021
You often hear that Herman Goring said "when I hear the word culture I cock my Browning." Sometimes it's said that Himmler said it. Turns out that neither is true, in fact it comes from a line in a play by Hanns Johst:
"Hands up! You're disarmed, you republican voting swine!—No, let 'em keep their good distance with their whole ideological kettle of fish, I shoot with live ammunition! When I hear the word culture I release the safety on my Browning!"
But times are tough.
Now culture is all about the browning.
Go figure.
***
When it comes to the Arts Biden has struck a race alien twofer. He's got an Indian and a half Mexican and half black (and what a witches brew that profane mating was). Why, it's really a trifecta. Now America will have the benefit of learning about the wonders of beads and three colored shawls, graffiti art of a little Mexican doing a bicycle kick and a Kang holding the decapitated head of a White woman.
Not only did we lost the culture war--it was a rout. If there are still a few stragglers on the battlefield still fighting what passes for the good fight it's because they didn't see their leaders turn tail in ignominious retreat followed the by rancid stink of the cesspool of failure.
"Today (October 5 2021) President Joe Biden announced his intent to nominate Shelly Lowe as Chair of the National Endowment for the Humanities (NEH) and Dr. Maria Rosario Jackson as Chair of the National Endowment for the Arts (NEA)."
"If they are confirmed, Shelly Lowe will be the nation’s first Native American to serve as chair of the NEH, and Dr. Maria Rosario Jackson will be the first African American and Mexican American to serve as NEA chair."
The state of the arts in America is now a foul hornet's nest. Want to try to be a "fellow" at one of these never august institutions? Want to get a grant from them? Want them to celebrate our culture which they insist does not exist? It's like the Sky King said with such eloquence before he did that final barrel role: "Yeah right! Nah, I'm a white guy."
***
It's part of Paleoconservative lore, an article of faith among those true believers, that the end of America can be pinpointed to the precise date when Ronald Regan threw over Mel Bradford for Bill Bennet to lead the National Endowments For The Humanities.
Mel Bradford was going to save us? It's true that he was harsh on Lincoln but then in a early version of "Dems are the real racist" he said Lincoln was bad because he was like Hitler.
Well, Hitler never did a thing for negros. Hitler never plumped for nigger citizenship. Hitler never attacked the South.
Mel Bradford was never going to save a thing.
It's true that his dismissal was symbolic in a way, symbolic of Jews taking over the Republican Party for good. But the truth is that this was the capstone of it, not an initial shot across the bow. What happened is that the genial dunce Ronald Reagan had picked a respected scholar Mel Bradford to run the National Endowments for Humanities. But soon word came down that Bradford had a few good words to say about the South and the Confederacy. Heck, he might have even have had a suspicious soft spot for White people. Seems he said something about Lincoln being a despot. As always Jews fall into apoplectic rages when this happens and they started Jewing as if they cared all about the high honor of America and it's great hero Lincoln, while in truth they didn't care two farthings about Lincoln and certainly not about America. What they cared about was that not even the tiniest little bit of White Pride should besmirch the great halls of power in the town they owned. Soon the egregious Gipper folded like a deck chair. In his place he put a Jew tool, gambling addict, and sloppy fat man Bill Bennet. This is a lowlife who's written a book called America: The Last Best Home and A Book Of Virtues so you know he's an out to lunch idiot.
"The successful effort to cancel Bradford's nomination is symbolic of the cosmopolitan neoconservatives descended from liberalism establishing hegemony over the Republican Party and American Conservatism displacing more traditionalist and regionalist thinkers with ideological roots in the Old Right."
That is, the Jews beat the White American at the culture game and got Regan to go along.
Those leading the charge to unseat Bradford and install their lap dog toady were Norman Podhoretz, Irving Kristol and Bill Kristol, Jews all.
But it just goes to show you how important the arts are: extremely important. In a way they are just an ornament, but then so was the swastika and Hitler took exceedingly great care in its various designs. The state of the arts shows the state of a nation's soul, what it values, what it can accomplish, and how it flourishes.
Bill Bennett values a sorry form of Pollyanish Americanism.
Indian Shelley Lowe and Mexican/Black Maria Rosario Jackson value their ethnic kin and ethnic nepotism, and rooting out Whiteness from the nation's cultural space.
The sad thing is that from this now distant vantage in time even that big fat neocon Bill Bennet looks marginally decent by now. In 40 odd years not only have the goalposts moved but we're on a brand new field.
And we're not done yet. It turns out the bottom is a long way down.
***
Take a look at National Endowments For The Arts website. Any conservative who has imbibed and swears by the ridiculous American Creed will be surprised and confused by it. They've all been told that when you get to America you become an American, not wall yourself in perpetual ghettoization according to the color of your skin and national origin. They've been sold the bill of goods of assimilation, that this land is a melting pot where the people go in and come out with the same values and allegiances. Of course nothing could be further from the truth. The American Creed is just a sleeping pill or a morphine injection to keep the sheep drowsy while hostile marauders surround them in preparation for the day they slow walk them to the gulags.
In truth the race aliens who pour into our country like water over Niagara have no intention of becoming something as paper thin as an "American." Hell, they spit in the face of America. And the NEA is their home now, the enemy institution will celebrate all of the "cultures" of the New America, but save for a tiny sliver they will do noting to celebrate White Culture, that is true American Culture. All of the people who work there have risen through the ranks of the enemy education system where they have been fed an unending diet of indoctrination that Whites have no culture, that any reference to White people must be that they are a dangerous force that must be met with reprisals at all points.
Think we could find a place in those corrupt corridors?
Yeah right. Nah, we're White guys.
The National Endowment For The Arts website looks like one of those old Benneton ads about the United Colors. It looks like an ad for the United Nations. It looks like a rainbow nation, it looks less like an American Celebration of the arts than a party for a myriad of nations within a nations. Out of many many more. Many cultures, none of the White.
You can see right away it's no place for White people. Racial drek they have a surfeit of, that they have in superabundance. It's so bad you start to wonder if one of those anti-White algorithms has sent you to the International Endowments For The Arts. But no, this is "America."
Native Voice: Revisiting Podcasts With Native Americans
American Artscape Magazine which has a cartoon rendering of a Mexican and an Asian.
Hispanic Heritage Month.
The Sounds Of Hispanic Heritage Month, with a picture of a guy in a mariachi outfit who looks like he's about to break into La Cucaracha.
Hispanic Heritage Month Spotlight: Elizabeth Acevedo.
Mauro Ballet (Puerto Rico)
Zephaniah Galloway, a black graduate of Howard University.
Wisdom Wednesday: Akua Kouyate-Tate (black lady)
Grand Canyon Music Festival, native American composer project.
The Wisdom Of Artists: A Collection Of Quotes From BIPOC Artists.
Notable Quotable: Duke Dang
First Person: Jenn Chang
They follow that up with two pint-sized Mestizos doing the Flamenco Dance, one of whom is a boy who is obviously gay.
And of course that budget money that you pay for is going from us to the minorities, and it's flowing fast, getting funneled in to the trough at which all the pigs queue at.
Here are the "fellowships" the NEA gave out in 2021.
Los Lobos, mediocre Mexican band.
Winsboro Easter Rock Ensemble, which consists of several fat black chicks who's specialty is African-American traditional spiritual ritual, and the combines food and music with a West African influence.
Cedric Burnside, who looks like a black hipster and is described as a blues guitarist, drummer and singer who telld the story of, yup, you guessed it, the Black American experience.
Tagumpay De Leon who is a "master teacher" who plays music from the Philippines in order to uplift the heritage of the "Filipinx" diaspora community (who knew there was one worthy of the name?)
Nellie Vera Sanchez who is a tradition bearer of "mundillo" a lace bobbin tradition centered in the Puerto Rican city of Moca, she was the one who helped establish the Museo del Mundillo.
Then they have a White Lady, but a sorry one at that, Anita Fields who is pictured wrapped in an Indian shawl, which indicates the extent that she has simply given up on life. She is a (naturally) multidisciplinary artist who maintains longstanding Osage ribbon practices. She is said to aim to dispel myths and stereotypes surrounding Native people, but of course despite what she says we know how much they love the Whiskey.
Reginald "the hoofer" McGlaughlin, a black man who is alleged to be a master of tap dance known for his distinctive "hoofing" style, thus he carries on the long tradition of blacks shuffling, shucking and jiving.
Then we get the lone White male, but soon learn that he went to Yale and spent time in East Asia and got into Zen Buddhism. Apparently his claim to fame is that he takes pictures of folkways that are not his own.
Then we get the token sop to European culture with Joannie Madden who is one of the great Irish Flute players and champions traditional Irish music. It's guaranteed that someone somewhere thinks that's racist.
Of course the NEH is no better, their dedication to the dark arts also know no bounds, and they'll funnel your money to worthless people and projects that have absolutely nothing to do with this country.
Among Fellowships funded by the NEH are:
African Studies: A History Of Popular Transportation in Nairobi which presumably is about walking.
African Americans Who Returned From Canada After The Civil War
Diaspora And Empire In Southern China
Immigration From Easter Europe (ie, Jews)
The Creole Circus which, I presume, is not about the evils of race-mixing.
The Formation Of Islamic Civilization.
So these are the swine at the trough; the NEH is funded to the tune of 162 million per year, the NEA has 201 million, which is good money gone bad, which would be better spent down a rat hole. If it just disappeared it would not help form a plank in White Genocide.
***
1964-1965 was a temporal Bermuda Triangle that White America fell in to, and from the sucking force field of this weird vortex we've yet to emerge. The Civil Rights Act came first which promised legal equality and delivered extreme legal and social disabilities on the White Race, turned us into coolies in our own country. Then came the Immigration And Nationality Act which was billed as a Civil Rights Act for the whole world which poured millions of racial aliens in to our country, all of whom could now take advantage of the Civil Rights Act itself, so people who have been here five minutes have more rights than those whose ancestors have been here hundred of years.
The NEA and the NEH were both established in 1965, perhaps with decent intentions, but like everything in America they soon curdled like weeks old milk. It's said that these agencies "work to affirm and celebrate America’s rich and diverse cultural heritage and promote equal access to art and humanities resources and programs in communities across the nation." These are seemingly anodyne words, almost laconic. But they are in code. Whenever you hear the word "affirm" you should cock your Browning, and equal access of course means no access for us. And of course a diverse cultural heritage means they'll be exalting and feting every culture under the sun accept that of heritage America, you'll get lots of nigger jazz, Vietnamese costumes, and Dios Del Muerte style skulls and trinkets, but not a whiff of anything White. In this way the commanding heights of culture have been ceded to our enemies--as the Devil's Triangle continues to take its toll.
The Trump administration proposed eliminating funding for both agencies, but those efforts went nowhere in Congress. Instead, the agencies have seen their appropriations increase during the period.
Of course Trump proposed a lot of things---but disposed of just about nothing. He stood on the White House balcony with his binoculars and if he stood there long enough he could see in the distance the dark armies of the night massing.
***
Of the North American Continent Robert Frost said "the land was ours before we were the land's." Apparently as to that first part not everyone was in agreement.
Shelley Lowe looks to be a half breed or quarter breed but when it comes to queuing at the trough of racial spoils and racial patronage she is 100 per cent Red Man---that's where the bonanza lies.
Lowe is now moving up in our former world and will soon be the head of the NEH. But she has been the Executive Director of the Harvard University Native American Program. And as she points out Harvard is located on "tribal lands" but frankly I've never seen the receipt.
"The Harvard Charter of 1650 pledges the University to the education of English and Indian youth and Harvard’s first Native American graduate graduated in the class of 1665. Since that time, more than 1000 Native people have earned their degrees from Harvard University.
That's the problem with Christian do-gooders, instead of cleansing the land of its race aliens in toto, they try to convert them. The people who founded Harvard were deeply religious and this gave them some unfortunate scruples against total extermination, they were going to take some naked primitive and put him in a lace collar and shoot him full of the Christ doctrine. This was the first White college in the great new land and they were already muddying it up with bleeding heart lunacy.
Some things never change.
Fast forward to now and wherever she goes Shelley Lowe loves to crow that her people, such as they are, were bound up with the founding of this institution. She certainly makes the most of it.
Shelley Lowe looks like that lady who gets in line in front of you at Whole Foods, the one wearing the billowing clothing meant to show her as a free spirit, the one when you follow her out to the parking lot has that COEXIST and ONE WOLRD bumper stickers on her Volvo. But despite her sorry appearance that reeks of loneliness and despair Lowe is not cat lady or wine aunt---she's a big chief wheeler dealer in the American Art World and now she's wheeling and dealing at its highest strata. That is, she was the one Indian that had enough White in her not to succumb to the lures of the Whiskey Drink. She might have become a big wig in a gaming organization but instead she gets to purvey the really rather thin lore of Indian Arts at Yale and Harvard and now in Washington DC. Half Breed going to bring us beads.
When I hear the word culture I pull an arrow out of my quiver.
"It was the first time I had to confront people who thought just because I was Native that I couldn't succeed (and) that was the only reason I was a Flinn Scholar."
Lowe likes to tell the story how she was big chief student out on the Reservation, everyone must have marveled that she could talk at least a little like one of the magic White men. And this small inkling of promise of course meant that the vultures of the White world seized on her and fell all over themselves to give her scholarship and free rides and affirmative action, enough to fill up several teepees. In her case it meant something called a Flinn Scholarship, but surprise surprise when she got to the promised land she began to flunk. You can here her on video telling the lachrymose tale of how she was shocked that she did so poorly, she not realizing that being an academic superstar in an Indian Autonomous zone was like being the thinnest kid at fat camp--nothing to brag about. But not to worry, those Whites knew a good thing when they saw it and were not about to allow a small detail like academic incompetence intrude on their dreams. And so they let her slide on through and soon she was telling everyone who would listen that Harvard was founded by Indians, why just the other day Little Chief Cry Me A River got a BA from there, even though it was in the laughably undemanding field of Indian Studies.
"Shelly C. Lowe is a citizen of the Navajo Nation and grew up on the Navajo Reservation in Ganado, Arizona."
"She was member of the National Council on the Humanities, an appointment she received from President Obama."
She has been Executive Director of the Harvard University Native American Program
She has been an Assistant Dean in the Yale College Deans Office.
She has been Director of the Native American Cultural Center at Yale University.
She was a graduate Education Program Facilitator for the American Indian Studies Programs at The University of Arizona.
She won a MIT Solve Indigenous Communities Fellowship.
She was on the National Indian Education Association and served on the Board of Trustees for the National Museum of the American Indian.
She holds a Bachelor of Arts in Sociology, and a Master of Arts in American Indian Studies
That is, she'd the one non-drunk Indian they car parade around and act like everything is normal. And Indian Studies in case you don't know is half about taking the Ayahuasca while expatiating on the works of Carlos Castaneda and half about those beads. A rigorous discipline it is not.
She is Bilagaana, born for Náneesht’ézhí Tách’iinii. Her paternal grandfather’s clan is Tábaahí.
I have no idea what any of that means.
Ms. Lowe has presented and published in the field of American Indian higher education and is completing her doctorate in Higher Education with a focus on American Indian student success and services.
It's racket. The people who founded Harvard should have dealt with them when they had the chance.
***
Maria Rosario Jackson presents herself as a barracuda technocrat. She keeps the anti-White rhetoric down to a dull roar but take one looks at her face and read the clues in her speeches and you can see she has it in for the people who founded this country. She's half black and half Mexican which is racially about as bottom of the barrel as you get . When the White man came to North America along with them they brought the blacks which is sort of likes rats stowing away on the ship. That unfortunate moving of the people's allowed such unholy sexual congress as produced Jackson and the bill on that one continues to grow.
She has a background not in the arts but in urban planning but she was vaulted in to the arts world by getting hoisted into the philanthropic world where Jews and guilty White throw their money around to fund anything and everything which will serve to undermine any remaining vestiges of White rule, power, and influence. She talks a lot about the "undeserved" and "low income communities" which of course is Ruling Class speak for black and browns. You can be sure she's not laser focused on the poor White places in Appalachia where there's not a theater or a museum in sight and certainly no White ethnic groups who laud the Scoth-Irish get lavishly funded. No, she won't be giving grants and money to study the wonder and marvels of White people who centuries later still speak the language of Shakespeare. "What country, friends is this?"
Not a White one any more. Why would she want to help a people who have been described as "forming the body of what is perhaps the purest Old English blood to be found among English-speaking peoples."
They are not her people after all.
As befits a member of the Uber Overclass she once gave a TED TALK based on her background in urban planning on the subject of "what makes for a good place to live in a healthy community." The answer to that is of course that the community is one hundred percent White, but she talked about the importance of arts. She said that "we all know" that in the past the past strategies of oppression stripped the oppressed of the ability to express themselves artistically. This of course assumes a fact nowhere in evidence, that the oppressed (ie, your black and your browns) have anything to express, which is highly a dubious proposition. But the "logic" of her statement leads her to say that because of this it must be important to have arts in poor communities, though urban planners like herself have historically put the arts low on the list. Her answer is that a "paradigmatic" shift is needed and in order to create cultural vitality among those who are more prone to gang warfare, knife crime, and sitting on stoops all day unemployed drinking Malt Liquor is to provide them with the arts. She mentioned "ethnic dance troupes" as one example, which is a long line of fat-bottomed black girls snaking in line doing the rumba to a monotonous drum beat while they periodically raise their hands upward.
And in non technocratic bureaucratese a paradigm shift means shoving White people aside.
Naturally her pants-suit version of anti-Whiteness has given her a great big boost in the corridors of power, where they like an apparently competent mixed race creature to set off controlled explosions in all the former White hold-outs.
Rosario-Jackson was the CEII Co-Chair of Strengthening Diversity, Equity and Inclusion in the Arts and Culture Sector for All Los Angeles County Residents.
She has served as an advisor on philanthropic programs and investments at national, regional and local foundations.
Dr. Jackson is a tenured institute professor in the Herberger Institute for Design and the Arts (HIDA) at Arizona State University, where she also holds an appointment in the Watts College of Public Service and Community Solutions.
That is she resides deep in the interstitial bowels of a culture-arts web which controls millions and millions of your dollars and is always looking for that black kid who isn't a stone cold killer, or the Mexican who can put two words together without making a fool of himself and promoting them to join the future ranks of their conspiracy, to find that Indian girl (forehead dot--not scalping) who is eager to de-colonize the whole country, or the Puerto Rican kid who is familiar with the concept of deodorant and just might be the next Lin-Manuel Miranda and not the next midnight rapist in New York City. They call these people the so-called "talented tenth" but if such comprise ten percent of these groups I'll eat their hats even its stained with Jerry Curl. But when they do find these needles in the haystacks they cling to them for dear life, zoom them as proteges near the corner offices, clean them up, and present them to the world as just your average Chicana who after all despite all the years of struggle against systems of oppression has made good and just wants a better life in the US of A. Just take a look at Shelly Lowe, for example.
In 2013, President Obama appointed Dr. Jackson to the National Council on the Arts.
Jackson is currently on the advisory boards of the Smithsonian Center for Folklife and Cultural Heritage, the Equity Center at the University of Virginia, the Strong, Prosperous, and Resilient Communities Challenge (SPARCC)
When she got the big nod from the nodder in chief she said:
"The National Endowment for the Arts is a stellar agency with a solid track record and immense potential as a crucial ally in healing our country and advancing our nation in so many ways. I am honored and thrilled to help shape the critical role of the agency in the years ahead.”
The word ally is your tip off; and does this nation really need to be healed? Is the wound she surreptitiously refer to racism by any chance?
You bet your life it is.
It was baked in the cake when her parents served up that witches brew. And now she is the Black-Brown Queen Of The Arts.
The Dark Arts.
***
After he lost the 1992 Republican Primary Pat Buchan decided to fold his tent and go to the convention to endorse George Bush the Elder. He gave a quite famous speech in which he spoke of America as being in the midst of something called "a culture war."
"My friends, this election is about more than who gets what. It is about who we are. It is about what we believe, and what we stand for as Americans. There is a religious war going on in this country. It is a cultural war, as critical to the kind of nation we shall be as was the Cold War itself, for this war is for the soul of America."
Naturally the collective Jew Media and all the bien pensants of the world went crazed out of their minds at this. One lesbian lady quipped that the speech was good but that it was much better in the original German.
She of course had some of her history correct, the concept of culture war derives from "kulturkampf." From the perspective of our side Adolf Hitler was the only ones who had the stones to win it.
Since that time for Whites the culture war has been one long retreat to less and less defensible positions. By now most everyone has turned tail; they didn't head for the hills, they made the necessary accommodations where they can from time to tome weakly serve as token opposition but mostly just resign themselves to the fact that in this country Miss USA is more likely than not to be some six foot buck who put on an ill fitting wig, a dress, and some cheap mascara.
The country has gone dark, the arts of have gone dark.
***
When Buchanan made that notable speech that particularly nasty piece of work with unwarranted pretentions to even pseudo-intellectual status, Mario Cuomo, came out swinging as a good son of immigrants.
"What do you mean by culture? That's a word they used in Nazi Germany."
They did in fact use that word in the Germany of National Socialism. But more than use the word they restored the practice of culture. They got rid of the Jews and elevated the Germans, the great culture bearers of the world.
In their world brown meant something else entirely different altogether.
But now we have nothing but the browning of the arts.
Did someone say the world culture?
