Anti-Racist Ghoul

[Douglas Mercer]

Douglas Mercer
March 24 2023

If they could they would have White volunteers go in to the public square and after a suitable statement about why as a White person he is guilty proceed to execute them. They could make it like the Aztecs and march them in scores on an industrial scale for the public's "edification and a "salutary" warning to the rest. It will be called atonement and they will say they are ritually cleansing and purifying the community and expiating for the sin of being White.

***

This aboriginal looks White himself but who knows what genetic witches brew he hails from; but anyway today being White is no barrier to being an Indian, or a black, or an aboriginal, and making a great career off of it, so long as you don't get caught. Nathan Maynard looks White but they say he is a "Trawlwoolway, palawa/pakana" which is bit like being a race bastard or the foul spawn of an inferior people; but then they also say he is an "artist" and the chances of him actually being an "artist" are not north of zero. But in the interim before the ceremonial executions can take place this Maynard fellow has come up with a bright idea: he wants your corpse, or your future corpse, he wants the corpse of a White person, he wants the body of a dead White male for an "art" show. Why? Why do you think? So he can ritually pollute and degrade it.

This guy is a few steps up from snuff films and what the criminal wants is for you to donate your future dead body to him so he can do the equivalent of the blood eagle and use the body for the coloreds to gawk at. It will be a humiliation ritual par excellence. He says that indigenous corpses have been used this way in the name of race science and anthropology so this is just turnabout fair play. What it really is is a ghoulish and sick and sordid revenge fantasy. The sad thing is you know there will be plenty of takers for this sort of disgraceful thing, to donate your future corpse in the name of anti-racism and White Genocide. What a legacy, eh? It certainly is not the fame of a dead man's deeds.

If you say to this proposal not on your life or over my dead body he'll take out the tape and measure twice and cut once and the anti-racist ghoul will drip blood from his fangs and say that's the idea exactly.

"A Tasmanian Aboriginal artist says he has already received responses to his advertisement seeking an Australian of British descent to donate their future dead body for an art installation. It's possible that a person listening to this request would say, Here's the kind of good I would like to do in the world, and therefore for purely altruistic reasons I will donate my body to that cause."

Unbelievable that they would queue up for this. But in a way it makes sense, if you have succumbed to the trance like moral panic and contagion of anti-racism this is simply the ultimate expression of that. How to show your love better of the racial other than to give your dead body to them to do with what they will. What could be more sinful than a White body? What more just state could it be in than to be dead? What more justice could be performed than to have that dead body become an artwork, as if the artist had skinned you alive and was wearing it as a costume? What better way to signal to all future generations your complete, total, and utter abasement than to appear in a museum as a dead man atoning for the sins of colonialism? And that you volunteered for it?

"The artist has advertised in a Melbourne newspaper for someone willing to donate their future deceased body to an art installation.
Nathan Maynard says the artwork will speak to sacrifice for past sins perpetrated against the palawa, the aboriginal inhabitants of Tasmania. An ethics specialist has described the project as having a fresh approach."

What sin exactly did we commit against the palawa? Recall that these people are the very bottom of nature's barrel, when it comes to advancement they scrape the floor and are evolutionary cul-de-sacs, a literal road to nowhere. Safe to say no one is ever going to ask them to bring the potato salad to the Mensa picnic, and they make our blacks look like gentlemen and scholars. These are people who when the water rose and covered over the land they became isolated for millennia. The idea of creating a boat, or the ability to create a boat, never occurred to them. Rooting out grubs from the ground was about as far as they got on the ladder of success. Were it not for the White man and his misplaced generosity they would have stewed and stagnated in their passivity forever. Given that these people were an afterthought of the world, were living a meager and subsistent life when the White man arrived nearly wiping them out was an act of mercy, not to them, but to nature itself which needs to be rid of its discards.

"Nathan Maynard's artwork, Relict Act, will be part of the Hobart Current arts festival, where he wants the public to draw comparisons between the historic theft of Aboriginal remains and artefacts, and the voluntary donation of white Australian remains."

He's right about one thing: the dominant people can dispose of the defeated dead as they wish. That's what is so troubling about this development. The Tasmanians and the rest of the indigenous or the aboriginals were anachronisms, had outlived their usefulness assuming against all evidence that they had any to begin with. A strong people was not overly concerned with the niceties of mortuary concerns; they were either predisposed to show their power, or to use the bodies of the dead for learning or antiquarian purposes. Now the sides are switched, or are switching, and Maynard's exhibition is supposed to function as exhibit A in this sea change. That is, he wants the world to know, or the world to think about, how the White race (if it's not careful) will be relegated to a museum piece and a relic.

"The advertisement was published anonymously last week, noting the work would speak to sacrifice for past sins perpetrated against the palawa Aboriginal inhabitants and that potential applicants should see this opportunity as an honor. Maynard promises the remains will be treated with the utmost respect at all stages of the project."

Just the fact that this advertisement was accepted and placed in a newspaper is an act of outrageous disrespect. Time was when we would have known how to handle such a thing. And of course, the "indigenous artist" is being disingenuous when he says that the body of his great white whale the Dead White male will be treated with deference and courtesy. Sure, he won't mutilate it, or gouge out the eyes, no he doesn't need to do that or commit any physical outrage on it. Just the physical presence of this body in an "artspace" will be more than unseemly and disrespectful enough. Everyone will know that such a thing would have been unthinkable even ten years ago; but that now the powers that be smile on the endeavor; they will know that a White person deemed it noble to have this done to him; the entire thing is an act of disrespect and sacrilege on the White race. Everybody knows it, the people who write the texts for the exhibit might not say that outright but it will be obvious between each and every line. All the art critics might not say it directly but in the space between every circumlocution it will ring out: Whites have lost their power, if you have any doubts look at that corpse on that slab or the one hung on that wall.

"He said the advertisement was the first of several stages of the project, with the second being the interview phase with applicants, and the final stages being the artwork itself. I hope they've really thought this through before we have a yarn, that they've talked to their family, and that they've had a really deep, long think about this, that is this something that they are really willing to do, because I am really serious about this project."

He's serious about it alright, deadly serious. And he doesn't want any fly by night anti-racists, he wants a true believer who is willing to go all the way. Perhaps he can enlist him while he still alive to give testimony to his own racism, that of his family, and of course that of his people. He can give all the reasons why he has chosen and is eager to utterly racially degrade himself in the public square, indeed to give up his life and body and sacrifice it on the altar of White Genocide. That way the person can become an oral history testimony of the passing of White people, and it can build up to a crescendo leading to his anticipated and well documented death, and the final phase of the project.

"Maynard would not say exactly what the artwork would look like, what form it would take, or whether the chosen person would need to die before or after the exhibit in November.

They can't quite kill him, not yet, though what the future holds no on can tell. Perhaps it will be a years long ongoing project, the sacrificial victim can come live in person and tell or confess his sins and take his place in the installation in effigy as a walking dead or by playing dead. Thus not only will he sacrifice himself in death but in life as well. That we have come to these straits is a tale in itself.

"Maynard said his work would be a response to what he sees as virtue signaling among non-Aboriginal Australians who claim to support Aboriginal causes. I want them to think, when they're at their office meeting and they start the meeting with always was, always will be Aboriginal land, sovereignty never ceded, who are they saying that for? Are they saying that for the palawa people, or are they saying that for themselves? I want them to ask what would they literally, physically put on the line for First Nations people? Apology was tokenism, artist says."

Sniveling and saying sorry is not sufficient. He's going to call their bluff. It's not enough to take down the White Australian flag from that bridge in Sydney Harbor, it's not enough to topple the statues of Captain Cook, it's not enough to have overthrown the White Australia Policy, it's not enough to purge the great White names from Australian history, it's not enough to teach in high school history textbooks that the White men were wrong to have come to Australia, it is not enough that White Australians have totally rearranged their entire social system to make way for the aboriginals, it's not enough that they are flooded with dark-skinned immigrants as an act of expiation for their evil. No, that's not nearly enough. Maynard considers this to only be the ante or the price of admission. Kill yourself in the name of racial justice and give us your body or don't talk about being a great anti-racist. The proof is in the pudding.

"In 2021, TMAG (Tasmanian Museum and Art Gallery) apologized to Tasmania's Aboriginal people for the removal of Aboriginal remains for collection and trade, as well as for its past resistance to the repatriation of remains. Such practice was common in Tasmania. The apology also accepted beyond dispute that TMAG had disrespected the remains of Indigenous woman Truganini, including public displays and interpretations of her remains, and disregarded her wishes to be buried in the D'Entrecastreaux Channel."

There is a lobotomized trancelike mind numbing mantra in Australia that says this is their land, this has always been their land, sovereignty was never ceded, this will always be their land. Sovereignty of course was wrested away from them but now that is considered to have been unconscionable. So the indigenous and their White champions live in a fantasy land and fairly tale dressed up as a morality play; they avert reality and talk about recompense, about redemption and of course retribution. The disastrous results will not difficult to fathom. Soon enough you will be able to see the epitome of the evil fruits in the form of a dead White man as artwork.

"If you're aware that it's First Nations remains that have been illegally stolen and removed from their countries, and from their ancestors and descendants, and you're aware that these remains are in institutions around the world, not with the people they belong to, and you haven't said anything about that, but you're upset about this — someone who is voluntarily going to give up their body — I think you've got to ask yourself another question he said."

It has nothing to do with morality, with what is fair, or what is "right"--it has to do with power pure and simple. The fact that some of the detritus of bottom dwelling people were used for museums, or in exhibits, if Sitting Bull was paraded in a circus, if Ishi was gawked at, well, that is nothing to me, nor should it be anything to any one of the White race. It is just how things go when you come to rule the world. But that one of our own would consider and enact such a disgraceful episode is cause for great concern. We have our liars and our lunatics who pose a mortal threat to us; we have out traitors and our trucklers who pose the same; but in the annals of surrender and submission this one out disgraces disgrace itself; and it make you wonder what, if anything, for these cretins would constitute a bridge too far.

[Douglas Mercer]

[Douglas Mercer]

[Douglas Mercer]

[Douglas Mercer]

An Evolutionary Cul-de-sac

[Jim Mathias]

Agreed, it is about power. High time for Whites who are still racially healthy to join with others to build their own. Or else wind up as a corpse on a disrespected display. Too numerous are the accounts of what tender mercies non-Whites have really done with the bodies of our dead.