"A Time to Kill" - John Grisham's Anti-White Rape Fantasy

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Reinhard

"A Time to Kill" - John Grisham's Anti-White Rape Fantasy

Post by Reinhard » Sat Nov 02, 2013 5:31 am

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One day in 1984, at the Dessoto County courthouse, Grisham overheard the harrowing testimony of a twelve-year-old rape victim and was inspired to start a novel exploring what would have happened if the girl's father had murdered her assailants. Getting up at 5 a.m. every day to get in several hours of writing time before heading off to work, Grisham spent three years on A Time to Kill and finished it in 1987. Initially rejected by many publishers, it was eventually bought by Wynwood press, who gave it a modest 5,000 copy printing and published it in June 1988.
http://www.tv.com/john-grisham/person/1 ... raphy.html


John Grisham - From A time to Kill's Author's Note

"One day I stumbled upon a horrible trial in which a young girl testified against a man who brutally raped her. It was a gut wrenching experience for me, and I was only a spectator. One moment she was courageous, the next pitifully frail. I was mesmerised. I could not imagine the nightmare she and her family had been through. I wondered what I would do if she was my daughter. As I watched the jury, I wanted personally to shoot the rapist. For one brief yet interminable moment, I wanted to be her father. I wanted justice. ...I became obsessed with the idea of a father's retribution. What would a jury of average people do to such a father ? Naturally there would be a great deal of sympathy, but would there be enough for an acquittal ?"

It was so "gut-wrenching" that he changed the rapist's ethnicity from black to White.


FACTS
On July 11, 1984, Julie Scott, 16 years old, and Marcie Scott, her twelve-year-old sister, were forcibly raped and badly beaten in their home in Southhaven, DeSoto County, Mississippi. The young girls were the only ones at home on the afternoon of that day. About 2 p.m. Julie was in the bathroom, about to take a shower, and Marcie was in her bedroom. Julie heard a loud banging noise at the front door, and, wrapped only in a towel, she left the bathroom and went to determine the cause of the noise.

She discovered a young black man, approximately six (6) feet in height, wearing a green shirt and cut-off tan pants climbing through the shattered front-door window. The trespasser had a silver pistol in his hand. Julie screamed and attempted to lock herself in the bathroom, but was overpowered by the man. Marcie, hearing Julie's scream, started for her bedroom door, but was met there by Julie and her assailant. At gunpoint, he forced the girls into Marcie's bedroom. Over the next thirty minutes to one hour, he raped and beat both girls. While he assaulted one girl, he kept the other locked in the bedroom closet.

After the assailant raped Julie, he forced her to lead him through the house where he gathered money and other valuables. During this time, he repeatedly struck Julie on her head with his pistol. Julie collapsed, lapsing in and out of consciousness, but the beating did not cease. As she lay on the floor, the assailant stabbed her some twenty (20) times in the head, neck, back and abdomen with a long barbecue fork.

As Julie lay unconscious, the assailant took Marcie from the bedroom closet and beat her about the head with the butt of a shotgun that he had found in the house. The beating continued until the stock of the shotgun splintered into pieces. Marcie was then choked with a bed sheet until she lost consciousness.

Upon regaining consciousness, Marcie checked on her sister Julie and then went next door to the home of Mrs. Barbara Jones for help. Marcie was so bloody, bruised and beaten that Mrs. Jones did not even recognize her as her nextdoor neighbor. Finally, when she did determine Marcie's identity, Mrs. Jones let her in the house, sat her down, tried to help and called the police, an ambulance service, her husband, and the girls' parents. She then locked the front door of her house, took a pistol and went next door to see about Julie.

Mrs. Jones found the Scott house in disarray. The front door had been broken in. Blood was in Marcie's bedroom, on the floor, on the bed, in the living room, and in every part of the house where the assailant had taken the girls. She found Julie sitting on the commode in the bathroom, unclothed, bloody, practically all over, and
semi-conscious. The commode bowl was red with blood. Blood was on the telephones where Marcie tried to call out.

The police, the Scott parents and ambulance arrived. Marcie was able to provide the police with a description of their assailant before she was taken to the hospital. The description was relayed to the dispatcher for police broadcast. After hearing the description given by Marcie Scott of the assailant, DeSoto County Sheriff James Albert Riley proceeded to Southhaven to investigate. While cruising the area, Sheriff Riley was approached by two unnamed men who claimed to have seen a young black man fitting the description of the Scott girls' assailant. They led Sheriff Riley to the home of Bobbie Jean Harris, mother of appellant Willie James Harris.
Appellant was at the house, and Sheriff Riley, joined by Southhaven Police Officer Bud Smith, briefly questioned appellant concerning the rape of the two Scott girls and the clothing described by Marcie. He denied any knowledge of the crimes and ownership of either a green shirt or tan cut-off pants, which Marcie said the assailant was wearing. About this time, a green shirt and bloody tan cut-off pants were produced from the house, either by the appellant's mother or aunt and were given to the police. The appellant was then placed under arrest and was advised of his Miranda rights.

On July 11, 1984, at approximately 6:40 p.m. appellant signed a waiver of rights form witnessed by Investigator Thomas McCloud and Deputy Sheriff Ray Richardson. Appellant then gave a confession in the presence of the above two officers and Deputy Sheriff Jack McCauley. The statement was tape recorded, transcribed and signed by appellant.
At approximately 1:30 p.m., on July 12, 1984, appellant signed another waiver of rights form which was witnessed by Investigator Jack Bartholemew and Investigator Jimmy Radford. Again, he gave a statement of confession to the assault and rape of the two Scott girls.

On August 15, 1984, an indictment was returned by the DeSoto County Grand Jury charging appellant Harris with the forcible rape of Marcie Scott in violation of MCA § 97-3-65(2). Beginning October 30, 1984, appellant was tried on that charge, and on November 1, 1984, after deliberating forty (40) minutes, the jury returned a verdict finding appellant guilty as charged and sentencing him to life imprisonment without the benefit of parole under MCA § 99-19-81.

http://www.leagle.com/decision/19891862 ... 1325_11825

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Wade Hampton III
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Re: "A Time to Kill" - John Grisham's Anti-White Rape Fantas

Post by Wade Hampton III » Sun Jan 12, 2014 9:46 pm

On May 11, 2007, at about midnight, deputies in Columbia, S.C.
say an armored car pulled over at a gas station to refuel. An
armored car that just happened to be carrying about $18 million.
Once the guard refueling the truck finished at the pump, he got
ready to hop back into the driver's seat. Deputies say as he was
re-entering the car he was struck in the face by someone with a
handgun. Before he knew what was happening, the guard found himself
struggling with two attackers, who overpowered him and threw him
between the seats of the truck. Deputies say the attackers were
Dominic La Shaun Lyde (above) 22, and Jeremy McPhail, 19. Then
McPhail and Lyde allegedly forced the second guard, Darryl C.
Frierson, 21, to drive.

After driving about two miles away, McPhail and Lyde had Frierson
stop the car. Deputies say they were met by two other suspects at
this location, Kelby Blakney, 20, and Dominique Blakney, 19.
Investigators say the men proceeded to rob the truck of roughly
$9.8 million.

Deputies were immediately suspicious when they learned the car
had been refueling when it was robbed. Armored cars usually have
plenty of fuel for their routes, and there was no reason to stop.

Sure enough, deputies say they received information early into
their investigation and acted on it May 16. They found Frierson,
one of the 'guards', with Dominique Blakney, one of the robbers.
Deputies say the two men implicated themselves and the others
involved in the heist, and it didn't take long for deputies to
make three more arrests. Darryl C. Frierson, Dominique D. Blakney,
Kelby D. Blakney, and Jeremy M. Mcphail are being held on charges
of armed robbery, kidnapping, and assault and battery. Paul J.
Whitaker, 21, another employee with the armored car service, was
not at the scene of the crime but has been arrested on charges of
conspiracy to commit armed robbery. But, deputies say they still
haven't been able to find their sixth suspect involved in the actual
heist, Dominic La Shaun Lyde.

Police believe Lyde is either in Baltimore, where he has family, or
could be staying close to home, in North or South Carolina. Deputies
also say that Lyde has spent a lot of time at strip clubs, throwing
large amounts of cash around and buying himself a place to stay for
a while, in the homes of the strippers.

Police say they're also looking for Derrick Shawnte Benjamin (above)
who they believe made off with at least $1 million of the stolen
money. Detectives think Benjamin is staying very close to home,
in South Carolina, possibly getting help to stay on the run from
family and friends.

So what do seven guys, six of whom are between the ages 19 and 22,
do with nearly $10 million after a major armored car heist?

Deputies say they bought shoes, cars, tattoos, and went to strip clubs.
Dominic Lyde bought expensive rims he was planning to mount on an old
Monte Carlo. And since the crime happened Mother's Day weekend, some
of the suspects bought their mom's presents.

Deputies say Dominique Blakney, Frierson, and Whitaker are all students
at Benedict College.

http://panachereport.com/channels/hip%2 ... dHeist.htm

Later that year, the heist was portrayed on "America's Most Wanted."
All of the players in this heist were non-Whites, save for the Caucasian
driver, who was a victim, along with the owners of the cash.

http://www.wistv.com/story/7044244/amer ... -car-heist

Interestingly enough, "America's Most Wanted" portrayed the driver as
another Negro albeit not involved with the crime, leading the national
viewers to the false conclusion that this was just another Black-On-Black
crime, when in fact it was not. Investigators later learned that the
crime was inspired by the group renting and watching the movie, "Dead
Presidents," which follow a similar outline:

http://en.wikipedia.org/wiki/Dead_Presidents

Draw your own conclusions as to what ethnic/racial group makes these
media decisions.





*

L.G. Morgan

Re: "A Time to Kill" - John Grisham's Anti-White Rape Fantas

Post by L.G. Morgan » Sun Nov 30, 2014 12:37 am

An Incitement to Kill White Southerners and their Culture
Reviewed by Michael A. Hoffman II


Produced by Arnon Milchan.
Directed by Joel Schumacher.
Based on the book by John Grisham.

Not a great deal needs to be said about this despicable hate propaganda film among those who know a scintilla of American history. Yet something must be said for the benefit of the vast herd that knows next to nothing.

This is a movie about a black father who does the undeniably Biblical thing and executes two white rapists who beat and raped his ten year old daughter. No Christian, no Confederate and indeed, truth demands that we add, precious few Ku Klux Klansmen would have any problems with this father’s vigilante justice, nor would they ever seek any vengeance against such a black man for executing Biblical justice upon rapists.

But in this twisted movie, facts and history need not apply. This is the cinema of political correctness in its debased conservative variant. It advances the cause of anti-white hate, white self-hate and Orwellian rewriting of history, with a patina of Bob Dole-style Republicanism.

But the fact that the black man’s white defense attorney is not a death penalty abolitionist, but a pistol-weilder, and that the NAACP is shown to be opportunistic and a local black preacher avaricious, does not, by a country mile, make up for the boatload of pernicious libel against an entire traditional way of life in the white Christian South, which this movie represents.

In “A Time to Kill” the usual Hollywood suspects (Milchan and Schumacher) are hell-bent on a hate campaign against Christianity and traditional white Christian culture. A wicked Klan kidnapper is depicted wearing a Christian cross around his neck. The movie’s pro-rapist, fantasy-Klan, recruits only “God-fearing whites.” Ad nauseum. The Confederate battle flag insignia is made into a veritable sigil for the reign of rapists. Whenever it is shown the scene is one of absolute evil.

Local White people are depicted–in 1996!–as exhibiting monolithic support on racial grounds for two dead white rapists and certain to convict a noble black father who justifiably executed them.

That the Confederacy arose in part to defend all women from rape, is as far from this stupid script as Mississippi is from the moon. This is a movie that can only be given credence when the audience is a gaggle of public-school-miseducated, TV-spectating fools.

That black males are the chief rapists in this nation and white women and children the main victims, is inexcusably absent from Grisham’s hallucination. In fact, the most notorious child-rape case in recent memory, was the rape three black soldiers perpetrated against a 12 year old Okinawan girl. This crime created an international incident and the people of Okinawa have voted to ban American troops from their island, as a result. This is the reality, but Hollywood is not about reality, it’s about making enormous profits by splashing buckets of lying filth upon our people.

Shortly before this movie was released, a young white father in Carolina, Michael Westerman, was gunned down by a carload of black youths who no doubt learned their homicidal, anti-white prejudice, in part from films like this one. The white Carolina youth was killed because he had a Confederate flag sticker on his truck.

Now enter John Grisham–supposed upholder of “old-fashioned values and morals”–with assistance from the Milchan and Schumacher duo–furnishing yet another flick which incites the murder of white southerners who adhere to their traditional culture, a culture which abominated precisely the kind of rape depicted in this film–be it black or white.

Lenin would have been proud of Grisham and Co. That this filth is shown in theaters without crowds of pickets and vehement protest by the various “Sons of the South” groups, is perhaps the sorriest datum in this whole sorry scenario. Where is the kind of militant street activism which should confront this incredibly insulting smear of the South wherever it appears in theaters?

The Money Men would never dare finance this hate-Southern-whitey garbage if there was a financial penalty attached to it. But obviously there isn’t. We’ve become numb to our own destruction. We’ve retired Captain Boycott to the closet.

The class element is also painfully transparent in “A Time to Kill.” With the exception of one maimed white deputy sheriff, the good guys are all either blacks or upper class whites, while the white working men (“redneck assholes” as the “righteous black sheriff” terms them), are all repulsive monsters.

Of the many idiocies in this racist schlock, one of the most revealing is the scene in which one of the white bad guys uses the “N word” and then immediately apologies for doing so. No such apologies are ever tendered during the innumerable scenes when the “R word (Redneck) is tossed about. Offending white people is pro forma here, as it will be whenever any people’s tolerance level has been pushed by their phoney, “Christian” luhv preachers, to the suicidal.

I remain in absolute, flabbergasted awe at the march of time and its irony, whereby we witness one of the most gallant societies on earth–the white Christian Southland–besmirched to such a degree that an entire traditional culture is reduced to a piece of mass media toilet paper, for the benefit of bucks for Hollywood and the satisfaction of the entertainment appetite of an increasingly jaded and degenerate audience.

I only pray that Grisham and his co-conspirators will one day themselves have a midnight street encounter with the very African forces they have herein so irresponsibly incited.

http://www.revisionisthistory.org/essay1.html

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