Jim Mathias wrote: ↑Sun Jan 21, 2024 5:20 am
Your comment in response to Mr. Kessler seems reasonable to me, Will. The placing of your comment under moderation appears to be made with some sort of eye towards protecting a Christian slant. Why they would protect this Semitic worldview and react harshly towards our pro-Aryan life-philosophy is beyond me.
I'm taken off moderation, so the comments stand.
Here's my latest to educate those there about Jew control of the music industry:
Will Williams: January 21, 2024
Bigfoot: January 20, 2024 What is strange about that is the fact that the FBI criticized the group NWA for the song F**k the Police. The FBI put out a press release warning law enforcement agencies of potential problems that song could cause. Now the situation is completely different. The FBI is used to ensure ideological conformity…
—
Exactly, Bigfoot, but it’s not as strange as one would think without the Jew factor.
I like to remind young American Whites that William Pierce was calling out Jewish control of the anti-White popular music industry 50 years ago, and here 25 years ago:
Lew, Bill, Tupac, and Mitchell | National Vanguard
…Bill Clinton said in a speech to graduating seniors at Portland State University in Oregon on June 13 [1998]. The Fastest Zipper in the West told his audience — and that included television viewers all over America — that we must not do anything to slow the flow of immigrants from the Third World into the United States. He denounced as “wrongheaded” those White Americans who fear that “the America they know and love is becoming a foreign land.” [T]he same day he gave that speech at Portland State. He went to the high school in Springfield, Oregon, where one of the recent school killing sprees took place, and he spoke piously to the survivors about how he “felt their pain” and about his determination to bring an end to the epidemic of school violence which has been plaguing the country. He put on a show of real concern for the 2 students who had been killed and the 22 who had been wounded at Springfield’s Thurston High School. He bemoaned the “culture of violence” which incites young students to kill… Then Clinton hopped onto Air Force One and flew to Los Angeles, where he was the guest of honor at a lavish party in the mansion of Hollywood record mogul Lew Wasserman. All of the other big Hollywood Jewish media bosses were there too. The purpose of the party was to raise donations for the Democratic Party, and the Clintonistas were expecting close to a million dollars in donations from Wasserman and the other media bosses at the party… Lew Wasserman, Mr. Clinton’s host, is the chairman emeritus of MCA, the giant record company which is the world’s principal promoter and distributor of the musical genre known as “gangsta’ rap.” For those of you who don’t already know this, gangsta’ rap has lyrics glorifying the lifestyle of Black gangsters and drug bosses. It glorifies street shootings and other aspects of Black criminality. Its rap lyrics are very graphic about murder and rape, which it promotes as being very “cool” and fashionable. Gangsta’ rap has been pushed hard by Wasserman and other big media Jews in an effort to get White kids hooked on Black culture and Black lifestyles. It fits right in with Mr. Clinton’s efforts to eliminate White racism by getting Whites to accept Blacks and other aspects of “diversity.” To be more specific, Lew Wasserman’s MCA owns Interscope Records and a number of other record labels. One of Interscope’s featured performers, until he was himself killed in a drive-by shooting in Las Vegas last year, was the Black gangsta’ rapper Tupac Shakur…Was Bill Clinton unaware that Lew Wasserman’s company produced and distributed Tupac Shakur’s music about “coming to school and killing all the kids”?
Of course he was. And his Famous But Incompetent goons knew that Tupac’s parents were members of the anti-White Black Panther Party, and that early in his “music” career, prior to his murder, he was managed by anti-White demi-Jew “poet,” Leila Steinberg.
What Would Hitler Do? For one thing there would be no Lew Wasserman or his co-religionists Judaizing and nigrifying Germany’s popular culture, and he’d see that a turd like Bill Clinton and the corrupted top police agency were given over to a night of long knives.
Bill, Lew and Tupac aside for the moment. Clinton’s feckless FBI could have done more than complain about subversive Niggers With Attitudes’ “F__k Da Police” but they didn’t, and 30 years later it’s clear that those lyrics preceded the Marxist “Defund the Police” movement. Now Biden’s Jew-run DOJ and its FBI work closely with Jew-controlled social media — the thought police — to censor dissident Whites. Our cry today must be
“Defund the Thought Police!”
[
I don't know how to post images at C-C, but can put this here:]
This comment is long, but educational for those who are not up to speed on the JQ. Hit the links for more.
Four years ago the indomitable John Q. Publius updated Jew control of America’s music industry, here:
Ways of Seeing: Who Determines Your Reality? – The Occidental Observer
There has been some “changing of the Jew” since then, of course, but at this point it’s always Jews replacing Jews.
…The music industry is, as with all forms of media, dominated by Jews, and its control has become increasingly centralized, another trend we’ve seen irrespective of the industry in question. In December 1998, with the PolyGram-Universal merger, the music industry’s Big Six became its Big Five, in control of 77.4% of a market estimated to be between $30 and $40 billion; 2004 saw another merger, this time of Sony and BMG (Sony would later buy out BMG), to create a Big Four. Coupled with the shrinking of independent labels, the Big Four were in control of a whopping 88% of the market by 2011. In December 2011, EMI was absorbed by the Universal Music Group and Sony Music Entertainment, though in Europe regulators forced Universal Music to sell off its EMI assets which became the Parlophone Label Group, and was then promptly acquired by the third member of the Big Three, Warner Music Group. In 2012, the Big Three represented 88.6% of the market. Sony Entertainment, the sixth-largest entertainment company in the world, owns Sony Music Entertainment, and Vivendi, number seven, owns Universal Music Group.
A snapshot of the leadership of the Big Three proves illustrative; this overview from December 2019 reveals an obscene overrepresentation of Jews including Michael Lynton, Chairman of the Board for the Warner Music Group and its Vice Chairman, Len Blavatnik; of the nine other members of the Board, Noreena Hertz, Ynon Kreiz, Thomas H. Lee, and Alex Blavatnik (Len’s brother) are Jewish. Mathias Dopfner is a Gentile, but is also a self-described “non-Jewish Zionist.” The rest, such as Stephen F. Cooper—also the CEO, replacing the Jewish Edgar Bronfman, Jr.—are either contested or I could not definitively find out. Co-Chair and CEO of Warner Records, Aaron Bay-Schuck, has Jewish ancestry, and other prominent Jews in management include Eric Levin, Warner Music Group CFO and Executive Vice President, and Co-Chair and COO of subsidiary Atlantic Records Group Julie Greenwald and its Co-Chair and CEO Craig Kallman. Universal Music Group Chairman and CEO Lucian Grainge is Jewish, as are: Chairman and CEO of the Universal Music Publishing Group’s global publishing division, Jody Gerson; Chairman and CEO of Universal Music UK and Ireland, David Joseph; and Executive Vice President of Marketing Andrew Kronfeld. Sony Music CEO Rob Stringer is Jewish, as is its COO Kevin Kelleher, Executive Vice President and General Counsel Julie Swidler, and President of Global Digital Business and US Sales Dennis Kooker. In other words, all three major record labels are headed by Jews and their corporate governance is dominated by Jews as well. The rest, like RCA Records CEO Peter Edge, are “well-liked Gentiles.”